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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2023

Jeff Ostrowski · October 31, 2023

Cardinal Newman • “Hymn for Souls in Purgatory”

A way to avoid having the choir’s pitch sink. (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)

Jeff Ostrowski · October 31, 2023

PDF Download • “Choral Warm-Up” by Jeff Ostrowski (after Morley)

The “SSS” technique, known by every great singer. (Tag: 𝘛𝘳𝘪𝘤𝘬𝘴 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘤𝘰𝘯𝘴𝘤𝘪𝘦𝘯𝘵𝘪𝘰𝘶𝘴 𝘤𝘩𝘰𝘪𝘳𝘮𝘢𝘴𝘵𝘦𝘳)

Corpus Christi Watershed · October 29, 2023

“Voces8” (Grammy-Nominated British Vocal Ensemble) • With Kevin Allen

They posed after the concert for a photograph with the composer.

Jeff Ostrowski · October 26, 2023

PDF Download • “Hymn for the Feast of All Saints” (Released for the First Time in History!)

“Each day Father Knox would write for his students a Latin poem describing events of the previous day.” —Archbishop Fulton J. Sheen

Keven Smith · October 25, 2023

Organ Improviser in the Spotlight: Wayne Warren

Here’s what you can learn from this Florida-based artist.

Follow the Discussion on Facebook

Jeff Ostrowski · October 25, 2023

“Secret Trick” of Jeff Ostrowski • Re: Singing Amen

“Sic transit gloria mundi…” (𝑇ℎ𝑢𝑠 𝑝𝑎𝑠𝑠𝑒𝑠 𝑡ℎ𝑒 𝑔𝑙𝑜𝑟𝑦 𝑜𝑓 𝑡ℎ𝑒 𝑤𝑜𝑟𝑙𝑑.)

Jeff Ostrowski · October 25, 2023

Now Available Online! • 1959 “Organ Accompaniment Book” (233 Pages)

“Occasionally, the English texts for some of the hymns are almost barbaric artistically…” —𝐷𝑜𝑚𝑖𝑛𝑖𝑐𝑎𝑛𝑎 𝐽𝑜𝑢𝑟𝑛𝑎𝑙 (1960)

Jeff Ostrowski · October 23, 2023

Jeff As Organist? • His Attempt…

I’m attempting to record (on the pipe organ) any hymn contained in the Brébeuf Hymnal which doesn’t yet have its own rehearsal video with real voices. You can listen to my latest attempt: a hymn called DEVONSHIRE. For the second verse, I attempted to change the registration. Please let me know what you think. I […]

Jeff Ostrowski · October 23, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 2 of 2)

Will anyone step forward to defend this?

Dr. Charles Weaver · October 21, 2023

Two Ways of Singing the Easter Sequence

Two recordings of the same chant from the Sacred Music Symposium 2023.

Jeff Ostrowski · October 20, 2023

Playing Pipe Organ = Very Difficult!

Not every hymn contained in the Brébeuf Hymnal has its own rehearsal video. In the meantime, I’m attempting to provide pipe organ recordings for the missing hymns. Today, I attempted to record COBLENZ, with a harmonization based on Sir Richard R. Terry. You can listen to my recording by clicking here. Whenever the record button […]

Corpus Christi Watershed · October 19, 2023

Guest Article by Mæstro Jerome Cole • Organist, Composer, and Choirmaster

“My mantra is that music at Mass should help reveal the face of God to us, so that we might contemplate Jesus Christ truly present in the Eucharist.” —Jerome Cole

Corpus Christi Watershed · October 18, 2023

Brooklyn Writes Us — Re: “Slander” Article

Like it was yesterday, I remember fighting with those high school students about hymnal headers.

Jeff Ostrowski · October 18, 2023

PDF • “Mass Propers in English” (113 pages)

The University of Kansas has made available—as a free PDF document—this 2017 dissertation (113 pages) by Dr. Katherine Schmitz. The full title of the dissertation is: Chanting the Propers: A Comparative Study of Selected English Sources for the Catholic Mass. Dr. Schmitz is a Gregorian Chant scholar who has earned degrees from the University of […]

Jeff Ostrowski · October 18, 2023

“Spotted” • Singaporean Sacred Sounds

I glanced at the audience to see what effect Corrinne’s presentation was making…

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)
  • They did a terrible thing

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