• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
    • My Account
    • “Receipts + Invoices” (Subscribers)
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
    • “Choirmaster’s Decalogue” (10 points)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
    • Feasts Website
  • Donate
  • Cart
Views from the Choir Loft

Archives for April 2023

Jeff Ostrowski · April 30, 2023

My Student Singing Byrd Will Make You Weep!

Today we release polyphony by two composers: William Byrd and William Fritz.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Keven Smith · April 29, 2023

Conducting Tip: Use the Whole Body

Are you aware of your legs? And do you know why that matters for a choir conductor?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Follow the Discussion on Facebook

Jeff Ostrowski · April 29, 2023

Photograph • Pope Saint Paul VI Distributes Holy Communion (Kneeling, On The Tongue)

How dare we—who are so sinful—how dare we receive our Lord?

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 29, 2023

Introit • “Jubiláte Déo” (3rd Sunday after Easter)

Sung according to the official rhythm of the Catholic Church.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 27, 2023

PDF Download • “English Hymns for Three Voices” (SSA), edited by Dr. Theodore Marier—182 pages

My choir will definitely be using these settings. They’re something many have begged for!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 27, 2023

FEEDBACK • 26 April 2023

A reader wrote to us about the MELCOMBE HYMN ARTICLE (whose official title was: 1950s Catholicism: Do We Want It Back?) with these kind words: “I so wish there was a CD of your choir. The Introit the other day stays with me all day!”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 26, 2023

“1950s Catholicism” • Do We Want It Back?

“I have found, to my astonishment, that Catholics…in their principal churches, do not to this day possess even one Mass setting even tolerably good, or which is not actually distasteful and operatic.” —Felix Mendelssohn (1835)

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 24, 2023

It’s Coming!

The draft booklet (320 pages) which will—in a gorgeous hard-copy—be given to participants at the Sacred Music Symposium has been released. If you see any typos, please let me know ASAP. Thank you!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Daniel Tucker · April 23, 2023

Five Ways to Celebrate the Octave of Pentecost

For most Novus Ordo-going Catholics, myself included, the Octave of Pentecost is no longer officially part of the Church’s liturgical calendar, but here are five fitting ideas for extending the joy of Pentecost throughout the week.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 22, 2023

PDF Download • Draft Copy — “2023 Symposium Booklet” (320 Pages)

I will never forget standing in that green room, waiting to go on stage.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 22, 2023

FEEDBACK • “Soul Was Craving”

I got this (personal) message from a choir member. I know we usually avoid sharing personal items, but hopefully this exception is warranted: “Dear Mr. Ostrowski, I read your recent article, “I Came From Somewhere.” I really enjoyed reading it. Thank you for all that you do. I appreciate your sentiments and your work to […]

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 17, 2023

“I Came From Somewhere” • (So Did You!)

Including a haunting hymn by Flor Peeters for Eastertide.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 14, 2023

“Quasi Modo” • Introit for this coming Sunday.

I’m desperately in need of this book!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Guest Author · April 13, 2023

Gregorian Rhythm Wars • “The Hidden Dactyl”

“Perhaps surprisingly, not one word of three syllables in the ancient Easter sequence ‘Laudes Salvatori voce’ is sung to the rhythm of a dactyl.” —Alasdair Codona

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · April 12, 2023

“Regína Caéli Laetáre” • 18 organ accompaniments

Plainsong sung poorly—in a sluggish, lifeless manner—can leave a bad taste in people’s mouths.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

  • Page 1
  • Page 2
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“I would hope there is a place [at Mass] for the avant-garde in the same way I think there has to be a place—and we have to be careful with this—a place for Jazz and a place for Evangelical and all of that. […] On theological grounds, I do think we need interaction with the culture at the level of high art or at the level of more commercial pop culture.”

— Fr. Anthony Ruff (22 June 2016)

Recent Posts

  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (747) 218-8005
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”