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Views from the Choir Loft

Archives for April 2023

Jeff Ostrowski · April 30, 2023

My Student Singing Byrd Will Make You Weep!

Today we release polyphony by two composers: William Byrd and William Fritz.

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Keven Smith · April 29, 2023

Conducting Tip: Use the Whole Body

Are you aware of your legs? And do you know why that matters for a choir conductor?

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Jeff Ostrowski · April 29, 2023

Photograph • Pope Saint Paul VI Distributes Holy Communion (Kneeling, On The Tongue)

How dare we—who are so sinful—how dare we receive our Lord?

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Jeff Ostrowski · April 29, 2023

Introit • “Jubiláte Déo” (3rd Sunday after Easter)

Sung according to the official rhythm of the Catholic Church.

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Jeff Ostrowski · April 27, 2023

PDF Download • “English Hymns for Three Voices” (SSA), edited by Dr. Theodore Marier—182 pages

My choir will definitely be using these settings. They’re something many have begged for!

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Jeff Ostrowski · April 27, 2023

FEEDBACK • 26 April 2023

A reader wrote to us about the MELCOMBE HYMN ARTICLE (whose official title was: 1950s Catholicism: Do We Want It Back?) with these kind words: “I so wish there was a CD of your choir. The Introit the other day stays with me all day!”

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Jeff Ostrowski · April 26, 2023

“1950s Catholicism” • Do We Want It Back?

“I have found, to my astonishment, that Catholics…in their principal churches, do not to this day possess even one Mass setting even tolerably good, or which is not actually distasteful and operatic.” —Felix Mendelssohn (1835)

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Jeff Ostrowski · April 24, 2023

It’s Coming!

The draft booklet (320 pages) which will—in a gorgeous hard-copy—be given to participants at the Sacred Music Symposium has been released. If you see any typos, please let me know ASAP. Thank you!

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Daniel Tucker · April 23, 2023

Five Ways to Celebrate the Octave of Pentecost

For most Novus Ordo-going Catholics, myself included, the Octave of Pentecost is no longer officially part of the Church’s liturgical calendar, but here are five fitting ideas for extending the joy of Pentecost throughout the week.

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Jeff Ostrowski · April 22, 2023

PDF Download • Draft Copy — “2023 Symposium Booklet” (320 Pages)

I will never forget standing in that green room, waiting to go on stage.

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Jeff Ostrowski · April 22, 2023

FEEDBACK • “Soul Was Craving”

I got this (personal) message from a choir member. I know we usually avoid sharing personal items, but hopefully this exception is warranted: “Dear Mr. Ostrowski, I read your recent article, “I Came From Somewhere.” I really enjoyed reading it. Thank you for all that you do. I appreciate your sentiments and your work to […]

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Jeff Ostrowski · April 17, 2023

“I Came From Somewhere” • (So Did You!)

Including a haunting hymn by Flor Peeters for Eastertide.

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Jeff Ostrowski · April 14, 2023

“Quasi Modo” • Introit for this coming Sunday.

I’m desperately in need of this book!

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Guest Author · April 13, 2023

Gregorian Rhythm Wars • “The Hidden Dactyl”

“Perhaps surprisingly, not one word of three syllables in the ancient Easter sequence ‘Laudes Salvatori voce’ is sung to the rhythm of a dactyl.” —Alasdair Codona

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Jeff Ostrowski · April 12, 2023

“Regína Caéli Laetáre” • 18 organ accompaniments

Plainsong sung poorly—in a sluggish, lifeless manner—can leave a bad taste in people’s mouths.

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President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

On March 24th, 1945, Pope Pius XII, by the Motu Proprio “In cotidianis precibus” gave permission to all who recite the divine office to use a new version of the Psalter made by six Jesuit professors of the Biblical Institute. This, contrary to some expectations, was neither a revision of the existing Vulgate nor of Saint Jerome’s ‘Psalterium juxta Hebraeos’, but a new translation altogether, based on the Massoretic text, the versions, and (in a few instances) on conjectural emendations.

— Dr. T. E. Bird

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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