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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for September 2022

Jeff Ostrowski · September 14, 2022

“Isolation Camps” for Summórum Catholics?

Today is the 15th anniversary of “Summorum Pontificum”—and some clerics are choosing coercion where persuasion has failed.

Jeff Ostrowski · September 13, 2022

PDF Download • 2-Voice Eucharistic Hymn by Flor Peeters (45 pages) • Includes a Descant!

Lyrics in English, with an (optional) version in Latin.

Dr. Charles Weaver · September 12, 2022

Pre-Reformation Polyphony among the Recusants

What happened to all that polyphony once Catholicism became illegal?

Jeff Ostrowski · September 10, 2022

PDF Download • “Choir Warm-Up Exercise”

Your singers might enjoy this vocal warm-up exercise I composed for a volunteer choir.

Jeff Ostrowski · September 9, 2022

“Defending the English” • Brief Riposte from Uganda

“As for the subject of whether the music of Tallis, Taverner, and Tye was tainted by the reformation, I would agree with Mr. Ostrowski.” —Reader from Uganda

Keven Smith · September 9, 2022

The Decaffeinated Choir Director: Yes, It’s Possible

Reflections on one year with no caffeine. Find out what to expect if you try it.

Follow the Discussion on Facebook

Jeff Ostrowski · September 8, 2022

Feedback: “The Lack of Charity in Your Statement Stuns Me!” • Defending the English

“Was Mr. Ostrowski ever forced to see the choir stalls he sang in as a boy demolished by iconoclasts?” — Reader from Atlanta (9/8/2022)

Jeff Ostrowski · September 8, 2022

“Pronouncing the Responses at Mass” • Phonetic Booklet for Altar Boys (Latin Mass)

This would make a splendid gift for boys attempting to memorize the Latin Mass responses.

Jeff Ostrowski · September 7, 2022

“British Polyphony” • The Best 55 Seconds In Music!

The paradigmatic English sonority can only be described as “haunting.” There’s nothing else quite like it.

Jeff Ostrowski · September 6, 2022

PDF Download • “Organ Interludes—including pedals—on Plainchant Melodies” (55 pages)

Father Ould and William Sewell (organist at the Birmingham Oratory of Saint Philip Neri) produced an impressive collection.

Veronica Brandt · September 3, 2022

International Gregorian Chant Conference

An Online International Gregorian Chant Conference! Eight days of great talks plus time for questions and answers.

Follow the Discussion on Facebook

Corpus Christi Watershed · September 2, 2022

New Release! • “Four Eucharistic Motets” (34 Pages)

Composer Richard J. Clark has set four (4) well-loved Eucharistic texts for SATB choir.

Jeff Ostrowski · September 1, 2022

“Face-To-Face” • Card. Roche + Pope Emeritus B16

Cardinal Roche met with Pope Emeritus Benedict XVI on 27 August 2022.

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Corpus Christi Watershed

President’s Corner

    “Corn” From Heaven?
    The Westminster Version of the Sacred Scriptures was produced by Roman Catholics in England and bears an IMPRIMATUR dated 15 March 1958 by the Archbishop of Westminster. Its IMPRIMI POTEST was given by the director of the Pontifical Biblical Institute in Rome. Sometimes the words chosen by translators can sound funny to American ears. For instance, one of our Responsorial Psalms has as its refrain: “The Lord gave them bread from heaven.” But the British version has “The Lord gave them corn from heaven.” Feel free to examine this with your own eyes. (It comes from Psalm 77.)
    —Jeff Ostrowski
    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“With all the powers of modern music open to him, from romanticism through French impressionism to the German and Russian modernists, he is yet able to confine all these contradictory forces on the groundwork of the Gregorian tradition.”

— Theodor Rehmann (on Msgr. Jules Van Nuffel)

Recent Posts

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  • “I Don’t Care Anymore!” • Lead by Loving Example
  • Installment #2 • “Serious Problems with the Lectionary Translation”

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