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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Archives for September 2022

Jeff Ostrowski · September 14, 2022

“Isolation Camps” for Summórum Catholics?

Today is the 15th anniversary of “Summorum Pontificum”—and some clerics are choosing coercion where persuasion has failed.

Jeff Ostrowski · September 13, 2022

PDF Download • 2-Voice Eucharistic Hymn by Flor Peeters (45 pages) • Includes a Descant!

Lyrics in English, with an (optional) version in Latin.

Dr. Charles Weaver · September 12, 2022

Pre-Reformation Polyphony among the Recusants

What happened to all that polyphony once Catholicism became illegal?

Jeff Ostrowski · September 10, 2022

PDF Download • “Choir Warm-Up Exercise”

Your singers might enjoy this vocal warm-up exercise I composed for a volunteer choir.

Jeff Ostrowski · September 9, 2022

“Defending the English” • Brief Riposte from Uganda

“As for the subject of whether the music of Tallis, Taverner, and Tye was tainted by the reformation, I would agree with Mr. Ostrowski.” —Reader from Uganda

Keven Smith · September 9, 2022

The Decaffeinated Choir Director: Yes, It’s Possible

Reflections on one year with no caffeine. Find out what to expect if you try it.

Follow the Discussion on Facebook

Jeff Ostrowski · September 8, 2022

Feedback: “The Lack of Charity in Your Statement Stuns Me!” • Defending the English

“Was Mr. Ostrowski ever forced to see the choir stalls he sang in as a boy demolished by iconoclasts?” — Reader from Atlanta (9/8/2022)

Jeff Ostrowski · September 8, 2022

“Pronouncing the Responses at Mass” • Phonetic Booklet for Altar Boys (Latin Mass)

This would make a splendid gift for boys attempting to memorize the Latin Mass responses.

Jeff Ostrowski · September 7, 2022

“British Polyphony” • The Best 55 Seconds In Music!

The paradigmatic English sonority can only be described as “haunting.” There’s nothing else quite like it.

Jeff Ostrowski · September 6, 2022

PDF Download • “Organ Interludes—including pedals—on Plainchant Melodies” (55 pages)

Father Ould and William Sewell (organist at the Birmingham Oratory of Saint Philip Neri) produced an impressive collection.

Veronica Brandt · September 3, 2022

International Gregorian Chant Conference

An Online International Gregorian Chant Conference! Eight days of great talks plus time for questions and answers.

Follow the Discussion on Facebook

Corpus Christi Watershed · September 2, 2022

New Release! • “Four Eucharistic Motets” (34 Pages)

Composer Richard J. Clark has set four (4) well-loved Eucharistic texts for SATB choir.

Jeff Ostrowski · September 1, 2022

“Face-To-Face” • Card. Roche + Pope Emeritus B16

Cardinal Roche met with Pope Emeritus Benedict XVI on 27 August 2022.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 6th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 6th Sunday of Easter (25 May 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are provided at the the feasts website.
    —Jeff Ostrowski
    “Gloria in Spanish” • Free Accompaniment
    Several people have requested an organ accompaniment for the GLORY TO GOD which prints the Spanish words directly above the chords. The Spanish adaptation—Gloria a Dios en el cielo—as printed in Roman Misal, tercera edición was adapted from the “Glória in excélsis” from Mass XV (DOMINATOR DEUS). I used to feel that it’s a pretty boring chant … until I heard it sung well by a men’s Schola Cantorum, which changed my view dramatically. This morning, I created this harmonization and dedicated it to my colleague, Corrinne May. You may download it for free. Please let me know if you enjoy it!
    —Jeff Ostrowski
    How Well Does ICEL Know Latin?
    This year, the Feast of Saints Peter and Paul (29 June 2025) will fall on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

Recent Posts

  • “Music List” • 6th Sunday of Easter (Year C)
  • “Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters
  • “Gloria in Spanish” • Free Accompaniment
  • How Well Does ICEL Know Latin?
  • Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

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