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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Archives for October 2019

Dr. Lucas Tappan · October 29, 2019

A Professional Choir in Six (6) Years

Support was key, but once Glenn had the necessary vision and support, the rest was a matter of putting one foot in front of the other.

Jeff Ostrowski · October 28, 2019

What Choirmasters Do.

In case you’re wondering: the photo on the upper right is me—taken on Saturday night.

Fr. David Friel · October 24, 2019

“Mass of the Americas” • Solemn Pontifical High Mass in DC

Archbishop Cordileone will offer Mass November 16, 2019 at the Basilica of the National Shrine of the Immaculate Conception.

Jeff Ostrowski · October 23, 2019

Fascinating! • Tridentine “Permission Slip” (1985)

In this riveting document, Archbishop Weakland forbids one’s child from attending a Low Mass—wicked beyond a doubt!

Jeff Ostrowski · October 21, 2019

New Typesetting! • “Kyriale Supplement” (1934)

Mr. Andrew Hinkley has done something marvelous…again!

Jeff Ostrowski · October 19, 2019

PDF Download • Palestrina Kyrie (Part 2 of 3)

“Dazzlingly luscious” is probably best way to describe this Mass.

Richard J. Clark · October 18, 2019

The Tradition Continues! • Seven Organists Perform

“…every bit of carpeting was removed and replaced with marble and stone…”

Jeff Ostrowski · October 16, 2019

“Hidden” Hymns by Cardinal Newman

Fr. Nicholls points out that Saint Newman was an admirer of Beethoven at a time when Beethoven was still living.

Dr. Lucas Tappan · October 15, 2019

A Professional Choir in Six Months

I often wonder if some of the vitriol directed against the Church’s music is due to its less than stellar presentation.

Jeff Ostrowski · October 10, 2019

Incredible!!! • Ancient Kyriale MSS for Download

Through the centuries, we observe a remarkable stability—in spite of variants, which will always exist.

Jeff Ostrowski · October 7, 2019

PDF Download • SATB “Sanctus” by Orlando de Lassus

We have completed part 1. When part 2 is finished, we’ll release that, as well.

Richard J. Clark · October 4, 2019

Pope Francis’ Address on Sacred Music: “Liturgy is the first ‘teacher’ of catechism.”

“Do not forget this: the liturgy is the first ‘teacher’ of catechism.” — Pope Francis

Jeff Ostrowski · October 3, 2019

Pope Francis: “Promote The Presence Of The Schola Cantorum In Every Parish Community!”

Pope Francis said (28 September 2019) that liturgical music must be Holy, Artistic, and Universal.

Jeff Ostrowski · October 2, 2019

Veronica Brandt • “Lalande Drop-Cap Letters”

Editing Code in the Classic Editor There are two tabs to the right of the content box: Visual and Text. Choose Text to edit the code. Choose Visual for a rough idea of how it will look. Editing Code in the Block Editor Each paragraph block has a menu bar which pops up when that […]

Dr. Lucas Tappan · October 1, 2019

A *What* School ?!!

These are things a choir director needs to think about as he plans to build a successful choral foundation at his own cathedral or parish.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Sprinkling Rite”
    Liturgical reformers who gained power after Vatican II frequently caused great suffering to musicians. With the stroke of a pen, they sometimes make changes that would require thousands—or even millions—of man hours (work undertaken by composers and editors). The Sprinkling Rite during Eastertide is but one tiny example. The version given in that PDF document was the original melody for Roman Missal, Third Edition. Some still prefer that version. However, at the last moment, an “unknown hand” tinkered with a few notes in the antiphon. Those who examine the current edition can verify this with their own eyes.
    —Jeff Ostrowski
    ‘Sarum’ Good Friday?
    Plainsong of the Roman Rite has many variants—i.e. slight ‘variations’ or ‘alterations’ made to the ancient melodies. Variants often thrive in particular religious orders. Likewise, before Henry VIII broke away from the Catholic Church, Gregorian Chant variants were frequently associated with individual cathedrals in England: Hereford, Lincoln, Salisbury, and so forth. In the early 20th century, the (Anglican) organist at Westminster Abbey married “Let All Mortal Flesh Keep Silence” to this beautiful variant melody from England. Those who sing Gregorian Chant on Good Friday will recognize the melody. What do you think of this pairing?
    —Jeff Ostrowski
    PDF Download • “Eb Organ Postlude”
    Gustav Adolf Merkel (d. 1885) was a German organist, teacher, and composer. Although a Lutheran himself, he held the appointment at the (Roman Catholic) Cathedral of Dresden from 1864 until his death. You can download his Organ Postlude in E-Flat, which I like very much. He has an interesting way of marking the pedal notes. What do you think?
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

Recent Posts

  • PDF Download • “Sprinkling Rite”
  • ‘Sarum’ Good Friday?
  • Gregorian Chant • The “Correct” Way of Singing ?
  • PDF Download • “Eb Organ Postlude”
  • Fulton J. Sheen • “24-Hour Catechism”

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