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Views from the Choir Loft

“Hidden” Hymns by Cardinal Newman

Jeff Ostrowski · October 16, 2019

ANY CONSIDER Fr. Guy Nicholls, Cong Orat, to be the greatest living authority on Cardinal Newman. In these interviews, he speaks about a range of fascinating subjects. For example, in the first video, he mentions “secret” hymns by Newman 1 that can be found in the Birmingham Oratory as well as Cardinal Newman’s relationship with the music of Beethoven—who was still alive—and how Saint Newman adapted this for use in Church:


Fr. Guy Nicholls speaks about a great many things which will be of interest to our readers, such as the plight of Catholics in England at a time when the Anglicans did not allow Roman Catholics to attend college.

At the time of this posting:

Video 1 of 3 = 188 views
Video 2 of 3 = 78 views
Video 3 of 3 = 82 views



NOTES FROM THIS ARTICLE:

1   For the record, the “famous” hymns by Newman—the hymns known by everyone—can all be found in the Brébeuf hymnal. In the interview, Fr. Nicholls makes reference to hymns intended to be used at Birmingham, for which Cardinal Newman wrote the text and chose the melody.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    26 January 2023 • FEEDBACK
    “Jeff, I wanted to personally thank you for your spiritual witness at the Symposium & often blogs that you write too. Praying that prayer in the mornings My God, my Father and my all (by Cardinal Merry Del Val), mentioning saints’ stories of Brébeuf, Jogues, John Vianney, monks who fought in WWII, their hard work in spite of terrible conditions, their relentless zeal for the faith, their genuine love for the laypeople they served, etc. Overall though—more than anything concrete I can point to that you did or said—it was your demeanor at the Symposium. I could tell you really absolutely love and believe the Catholic Faith. You don’t get that everywhere, even in Church circles. And your humility is what then makes that shine even brighter. It is super inspiring! God is working through you probably way more than you know.”
    —Jeff Ostrowski
    Symposium Draft Schedule Released!
    Those who head over to the Symposium Website will notice the tentative schedule for 2023 has been released. This is all very exciting! Very soon, we will begin accepting applications, so please make sure you have subscribed to our mailing list. If you are subscribed, that means you'll hear announcements before anyone else. (It’s incredibly easy to subscribe to our mailing list; just scroll to the bottom of any blog article and enter your email address.)
    —Jeff Ostrowski
    Good Friday Polyphony by L. Senfl
    The editor of the Sacred Music Magazine recently made available to the public this splendid article by our own Charles Weaver. It includes an edition of polyphony for the GOOD FRIDAY “Reproaches.” Renaissance composers often set the various offices of Holy Week; e.g. readers will probably be familiar with the beautiful TENEBRAE setting by Father Tomás Luis de Victoria (d. 1611). From what I can tell, Ludwig Senfl (d. 1543) was originally a Catholic priest, but eventually was seduced by Luther and ended up abandoning the sacred priesthood.
    —Jeff Ostrowski

Random Quote

“The Church has always kept, and wishes still to maintain everywhere, the language of her Liturgy; and, before the sad and violent changes of the 16th century, this eloquent and effective symbol of unity of faith and communion of the faithful was, as you know, cherished in England not less than elsewhere. But this has never been regarded by the Holy See as incompatible with the use of popular hymns in the language of each country.”

— Pope Leo XIII (1898)

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