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Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

New Typesetting! • “Kyriale Supplement” (1934)

Jeff Ostrowski · October 21, 2019

ACK IN FEBRUARY (wow—time sure does fly!) we uploaded a rare “insert” from 1934, which contained additional chants for the KYRIALE. You can read all about it by visiting the February article. I certainly had never come across these versions before, and some of them sound quite peculiar. The chants were badly in need of re-typesetting, as you can see:

80989-Kyriale-1934


Mr. Andrew Hinkley emailed me this morning; he has completed this task! 1

    * *  PDF • Kyrie I (“Deus miserator”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie II (“Rex Magne”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie III (“Christe Patris”) Ex Cantatorio Silensi

    * *  PDF • Kyrie IV (“Conditor poli”) Ex Cod Aemilianensi [11th century]

    * *  PDF • Kyrie V (“Deus solus et immensus”) Ex Tropario Vicensi [10th century]

    * *  PDF • Kyrie VI (“Jesu Redemptor”) Ex Tropario Oscensi [11th century]

    * *  PDF • Kyrie VII Ex Tropario Dertusino [13th century]

    * *  PDF • Kyrie VIII Ex Tropario Dertusino [13th century]

    * *  PDF • Kyrie IX Ex Cantatorio Burgensi [13th century]

    * *  PDF • Kyrie X Ex Cantatorio Asturicensi [13th century]

    * *  PDF • Gloria I Ex Prosario Oscensi [9th century]

    * *  PDF • Gloria II Ex Antiphonario mozarabico Legionensi [10th century]

    * *  PDF • Credo I Ex quodam Graduali impresso

    * *  PDF • Credo II Ex cod Silensi mozarabico [11th century]

    * *  PDF • Sanctus I Ex Tropario Aemilianensi [11th century]

    * *  PDF • Sanctus II Ex Cantatorio Silensi

    * *  PDF • Sanctus III Ex Cantatorio Silensi

    * *  PDF • Sanctus IV Ex Tropario Oscensi [11th century]

    * *  PDF • Agnus I Ex Tropario Oscensi [11th century]

    * *  PDF • Agnus II Ex Tropario Oscensi [11th century]

Important Notice :

Before using those files, please compare them to the original:

    * *  PDF Download • Supplement to the Kyriale (1934)

Andrew Hinkley is the best there is…but even he makes mistakes.



NOTES FROM THIS ARTICLE:

1   Mr. Hinkley told us he plans on adding the GABC code to Mdme. GregoBase very soon.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Common” Responsorial Psalm?
    I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.
    —Jeff Ostrowski
    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“So, as in delirium a man talks in a long-forgotten tongue, now—when her heart is rent—the Catholic Church drops twenty centuries without an effort, and speaks as she spoke underground in Rome, and in Paul’s hired house, and in Crete and Alexandria and Jerusalem.”

— A non-Catholic describing the “Hagios O Theos” of Good Friday in 1906

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