Views from the Choir Loft

PDF Download • SATB “Sanctus” by Orlando de Lassus

Jeff Ostrowski · October 7, 2019

HERE ARE APPROXIMATELY sixty-two (62) people who sing in the parish choirs I direct, and I have found that rehearsal videos can save time during rehearsals. Very soon we will release a new (updated) website, and we have some incredible contributors lined up—they will begin blogging when the new site launches. One of them grew up singing in England, and has some amazing stories to tell about the way singers in England can sight-read polyphony. I have no idea what he would think of the concept of “rehearsal videos,” but I suppose we will find out soon enough…

We have completed part 1 of a Sanctus by Orlando de Lassus (considered by some to be the greatest composer of all time). When part 2 is finished, we’ll release that, as well.

* * PDF Download • Sanctus & Hosanna (Part 1 of 2)

REHEARSAL VIDEOS for each individual voice and PDF score await you at #81362.

Fun Fact: It turns out that iPad and iPhone can utilize the “search” function on a website. Just start typing something in the actual URL searchbar—e.g. try “81362”—and then something will appear upon which you can select “ON THIS PAGE.” Using the search bar saves time!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

22 September 2020 • “Tears of Joy”

A reader wrote to us: “Thank you for the sample verses of Hymn #869 (Solemn Hymn to the Son of God). I found this music posted to YouTube this morning, and I’ve lost count at of the number of times I’ve replayed it and—no exaggeration!—it makes me tear up each time. This lovely hymn makes me feel closer to Jesus in a way I have not experienced before. It also makes me want to proceed with my daily prayers right then and there, rather than run off to the next errand or household task. I could play your traditional hymns and liturgical music all day long!” —(Ann from the Boston area)

—Jeff Ostrowski

Myth Re: Johann Sebastian Bach

Some musicologists try to make a “splash” by saying that Bach was totally forgotten when he died—remembered only as an organ virtuoso—and that his sons were more famous than he was. Such an idea is indefensible. It is true that musical styles changed in 1750AD—but this is normal. Musical styles change constantly; e.g. much of the repertoire of Hofmann and Rachmaninov was considered “garbage” toward the end of their lives. But those who carefully study the lives of Wolfgang Amadeus Mozart, Christian Gottlob Neefe, Franz Liszt, John Field, Hans von Bülow, Felix Mendelssohn, Frédéric Chopin, and countless others realize that Bach was revered. It’s true that his music was seldom played in public, but music by “dead composers” was generally speaking not played in public until approximately the middle of the 19th century.

—Jeff Ostrowski

Arthur Friedheim, Franz Liszt’s Secretary

Arthur Friedheim (d. 1932) has a very poor reputation as a pianist, and Liszt rejected him several times before finally accepting him as a pupil, yet the Liszt recordings he left are quite good—especially considering the transgressions by other Liszt pupils. Friedheim must have been an amazing musician; twice he was asked to become conductor of the New York Philharmonic (1898 + 1911) but he declined both times. Circa 1912, Friedheim was recording Chopin’s “Funeral March” but the record ran out, so he simply stopped in the middle of the piece. Things sure have changed! Pianists no longer stop in the middle of pieces, although Cortot would sometimes abridge pieces to make them fit on records (cf. Chopin’s Andante Spianato & Grande Polonaise Brilliante).

—Jeff Ostrowski