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Views from the Choir Loft

PDF Download • Palestrina Kyrie (Part 2 of 3)

Jeff Ostrowski · October 19, 2019

ECENTLY, we brought you Part 1 of a dazzlingly luscious Palestrina KYRIE based on the Gregorian Kyrie Fons Bonitatis (which in Palestrina’s time was referred to as “In Majoribus Duplicibus”). I will have much more to say about this Mass, and I will be asking your help: we must locate the precise variant Palestrina was looking at to help us understand the points of imitation—and perhaps this will help us.

Today, we bring you Part 2:

    * *  PDF Download • Kyrie (Part 2 of 3)   (#81249)

REHEARSAL VIDEOS for each individual voice and PDF score await you at #81249.

Fun Fact: It turns out that iPad and iPhone can utilize the “search” function on a website. Just start typing something in the actual URL searchbar—e.g. try “81249”—and then something will appear upon which you can select “ON THIS PAGE.”   Using the search bar saves time!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Last Updated: January 1, 2020

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Jeff Ostrowski

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Corpus Christi Watershed

Quick Thoughts

Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“Except the psalms or canonical Scriptures of the new and old Testaments, nothing composed poetically shall be sung in church, as the holy canons command.”

— ‘Council of Braga, 563AD’

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