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Views from the Choir Loft

Archives for September 2015

Dr. Lucas Tappan · September 29, 2015

Solfege

I feel that solfege is the fastest and most secure route to establishing the scale and the way its notes function within that scale in the minds of singers.

Corpus Christi Watershed · September 29, 2015

Fr. David Friel At The Papal Masses (Part 2)

We are so proud of our own Fr. David Friel.

Andrew Leung · September 28, 2015

Papal Liturgies – Day 6 of the Papal Visit

Pope Francis celebrated the Closing Mass for the World Meeting of Families on the last day of his visit.

Jeff Ostrowski · September 28, 2015

PDF Download • Extremely Rare Hymnal (1952)

Published by the Catholic Choirmasters’ Guild of Buffalo, New York.

Andrew Leung · September 26, 2015

Papal Liturgies – Day 4 & 5 of the Papal Visit

2 Papal Masses in New York and Philadelphia.

Jeff Ostrowski · September 26, 2015

Fr. David Friel & Pope Francis

A friend kindly sent me these photos…

Veronica Brandt · September 26, 2015

Praise to the Holiest

The seven stanzas of amazingness by Blessed Cardinal Newman with three tunes to choose from.

Andrew Leung · September 24, 2015

Papal Liturgies – Day 3 of the Papal Visit

Pope Francis celebrated Solemn Vespers at St. Patrick’s Cathedral in NYC.

Jeff Ostrowski · September 24, 2015

Joan Brudieu • Simple Kyrie (Revised)

When people ask how to begin teaching polyphony, I show them this.

Dr. Alfred Calabrese · September 24, 2015

Getting the most from your choir: Passion

Passion … is a tremendous engine for achieving the very best results.

Jeff Ostrowski · September 24, 2015

Musical Resources • 18th Sunday after Pentecost (Extraordinary Form)

“In thy tender mercy, guide aright, we beseech thee, O Lord, our hearts…”

Andrew Leung · September 24, 2015

My New Assignment—Part 1

Please pray for me as I continue to discern my vocation to the priesthood.

Andrew Leung · September 23, 2015

Papal Liturgies – Day 2 of the Papal Visit

Some highlights of the papal liturgies on the second day of Pope Francis’s visit

Dr. Lucas Tappan · September 23, 2015

The Art of Breathing

If there are only two concepts you are able to instill in a child in the early stages regarding breathing, they would be 1) fill and empty the stomach with air just like a balloon (don’t use the chest) and 2) keep the shoulders down and relaxed.

Jeff Ostrowski · September 23, 2015

Interesting Video About The Latin Mass (Massachusetts)

I believe Fr. Robert Fromageot was professor of Gregorian chant at the FSSP seminary.

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

If they protest and want, for example, to retain at least the familiar chants of the ordinary Mass in Latin, they are told that their protest is worthless. They are not “trained.” There is no reason to take account of what they say!

— Father Louis Bouyer (1968)

Recent Posts

  • 14th Sunday in Ordinary Time (Year C)
  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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