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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Getting the most from your choir: Passion

Dr. Alfred Calabrese · September 24, 2015

259 Gloria In Excelsis N LITURGICAL MUSIC, based as it is on biblical faith, there is, therefore, a clear dominance of the Word; this music is a higher form of proclamation.” (The Spirit of the Liturgy, Joseph Cardinal Ratzinger, p.149)

This statement really gets my juices flowing! It makes me passionate about what we do each week in choir rehearsals and Sunday Masses. The texts that we are privileged to sing are truly the focus of our work. How we prepare and present those texts, couched so often within masterfully crafted music, is a crucial element in the success of a liturgical choir or schola. Here are just a few of the things I try to keep in mind when preparing to conduct music for the liturgy:

Look deeply into the text. Often in singing Renaissance polyphony, too many people think of the music as ‘old’ or ‘ancient,’ and end up producing a perfect but antiseptic rendering of the piece. But early music was new once! Remember, Renaissance composers are people too. They had feelings. How does Victoria’s priestly vocation affect how he sets a text? Can Byrd’s status as a persecuted Catholic in reformed England be heard in his music? Study the life of composers. Do they have a special devotion? How does their age at the time of composition affect the piece?

Fall in love with what the choir is singing. Why did you choose this piece? What do you love about it? It could be the texture, the beautiful chord structure, the overall affekt, or just one special phrase. Whatever it is, find it, teach it, and communicate it with heartfelt passion.

Be passionate about diction. Take great care to teach and insist on round, classical vowels, devoid of regional accents and colloquial pronunciations. The most formal approach to diction lends beauty and importance to the text, which is, after all, what we are presenting. If we value beautiful vestments and vessels, expect precise and practiced gestures from liturgical ministers, and insist on art and architecture that speaks to a New Heaven and New Earth, then only our very best efforts at a pronunciation that is elevated from the mundane will suffice for the Holy Mass.

Passion for words and for the work of preparing and presenting liturgical and sacred music is a tremendous engine for achieving the very best results. Again, from The Spirit of the Liturgy, (p.209):

“…the Church as a whole must, for the sake of God, strive for the best, for from the very nature of the liturgy—by an inner necessity—comes a culture that becomes a standard for all secular culture.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Dr. Alfred Calabrese

Dr. Alfred Calabrese is Director of Music and Liturgy at St. Rita Catholic Church in Dallas, TX. He and his wife have two children.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“After the Second Vatican Council, the impression arose that the pope really could do anything in liturgical matters, especially if he were acting on the mandate of an ecumenical council. Eventually, the idea of the givenness of the liturgy, the fact that one cannot do with it what one will, faded from the public consciousness of the West.”

— Joseph Cardinal Ratzinger

Recent Posts

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  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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