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Views from the Choir Loft

Papal Liturgies – Day 3 of the Papal Visit

Andrew Leung · September 24, 2015

On Day 3 of Pope Francis’s apostolic visit, he celebrated Solemn Vespers at St. Patrick’s Cathedral in New York City. This New York cathedral is a great piece of art, especially after the recent renovation. And the musicians of the cathedral did some beautiful and true Sacred Music under the direction of Dr. Jennifer Pascual.

Reception of the Holy Father: 10:10
Solemn Vespers: 21:00

The New York cathedral set a very good example of Liturgical Music. It is definitely a huge contrast comparing to the two public liturgies yesterday. The Mass last night really doesn’t even worth mentioning, but St. Patrick’s Cathedral seems to have the solutions to the five problems I mentioned on the post yesterday. Even though the cantor sings a little slow sometimes, but unlike the cantors of the National Shrine, he didn’t have a big smile nor did he make a lot eye-contact with the congregation. The music is also very different from the mid-day prayer yesterday, the music selection of the Vespers is very up-lifting and solemn. From the music, you can hear the importance of the person visiting. After all, the Pope is the Vicar of Christ on earth. Too bad they cut off the end of Beethoven’s Hallelujah.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Quick Thoughts

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski
PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski
10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski

Random Quote

Let us ponder the incontrovertible fact that Eucharistic Adoration in the Ordinary Form (“Novus Ordo”) is always and everywhere celebrated “ad orientem.” Why, then, is there such opposition to Mass being celebrated in that way, which is actually stipulated by the 1970 Missal rubrics?

— A Benedictine Monk (2013)

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