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Corpus Christi Watershed

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Views from the Choir Loft

Sacred Music Symposium

Jeff Ostrowski · October 20, 2025

“Can Choral Music Survive?” • 3 Reasons It Will

You may think I’m crazy, but I have a belief when it comes to choral music.

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Jeff Ostrowski · February 12, 2025

“Register Today!” • Sacred Music Symposium 2025

A generous benefactor has agreed to cover 50% of the tuition for those who register before a certain date.

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Corpus Christi Watershed · January 8, 2025

“Prelim. Details” • Sacred Music Symposium 2025

Too many parish choirs don’t sound as nice as they could. We’re here to help!

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Corpus Christi Watershed · June 28, 2022

“I Found Myself Weeping, Almost In Disbelief…”

“Your faculty may never know the depth of how you affected each person there. For my part, I am forever changed…” — Symposium Participant (Texas)

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Jeff Ostrowski · May 10, 2022

“Big Reveal” by the Symposium Committee

We are so pleased to welcome this priest!

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Corpus Christi Watershed · May 3, 2022

“Repertoire Page” • Sacred Music Symposium 2022

Sign up today! A few voice parts still have openings.

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Richard J. Clark · July 5, 2019

In Gratitude for Choral Singers

I am deeply grateful to faith-filled choral singers because of their willingness to understand these 10 things

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Guest Author · July 30, 2018

Expectations Exceeded at the Symposium!

“If you occasionally share a habit of mine for getting stuck in one style, take new inspiration here!” —Miss Phoebe Wing

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Fr. David Friel · May 7, 2017

Fota X Conference (and other Summer Opportunities)

Summer 2017 looks to be a blockbuster period for sacred music activity.

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Fr. David Friel · April 16, 2017

Introducing the Wethersfield Institute Chant Workshop

A new chant workshop in upstate New York in June 2017.

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Jeff Ostrowski · June 9, 2016

Rehearsal Videos • Masterpiece w/ Cantus Firmus

Can you tell which voice is not mine?

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Jeff Ostrowski · May 24, 2016

O Salutaris Hostia • Do You Like This Version?

Download this 47-page booklet … and please pardon any typos!

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Jeff Ostrowski · May 18, 2016

May Crowning • The Official Antiphon

Do you agree this is a dark antiphon?

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Jeff Ostrowski · May 7, 2016

A Special “Gaudeamus” For 31 May

Nobody has been able to explain why they changed the psalm verse…

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Jeff Ostrowski · February 5, 2016

2016 • Sacred Music Symposium (Last Year’s)

We’re approaching capacity—if you’re interested, we need to hear from you soon!

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Corpus Christi Watershed

President’s Corner

    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • “Now Thank We All Our God” • (Simplified Keyboard Accompaniment)
  • Test Your Gregorian Chant Knowledge!
  • “Worst Teacher the World Has Ever Seen”
  • Eucharistic Prayer No. 2 on Sundays?
  • “Panis Angelicus” • Organ Accompaniment (7 Pages)

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CONTACT • Corpus Christi Watershed

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Corpus Christi Watershed
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