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Views from the Choir Loft

Monsignor Ronald Knox Traditional Mass

Jeff Ostrowski · October 26, 2023

PDF Download • “Hymn for the Feast of All Saints” (Released for the First Time in History!)

“Each day Father Knox would write for his students a Latin poem describing events of the previous day.” —Archbishop Fulton J. Sheen

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Jeff Ostrowski · September 13, 2023

Eucharistic Hymn by the Archbishop of Canterbury

Using a favorite melody of Dr. Theodore Marier.

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Jeff Ostrowski · August 2, 2023

Are These “Evil” Priests? • (Not Joking)

The professor inserted himself into our conversation, saying: “You’re both being foolish…”

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Jeff Ostrowski · July 19, 2023

Gregorian Rhythm Wars • “Jeff’s Fourth Response to Patrick” (19 July 2023)

Twenty years ago, I had the opportunity to conduct a week-long interview with Dom Cardine’s former boss.

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Jeff Ostrowski · May 29, 2023

Re: Ancient Sequence (Thursday after Pentecost)

A priest saw her article and provided—for the first time in history—a literal English translation!

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Veronica Moreno · May 13, 2023

Terrific Pentecost Hymn You’ve Not Heard Before!

Certainly the most beautiful capital “Q” I’ve ever seen!

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Jeff Ostrowski · December 18, 2022

PDF Download • “Veni, Veni Emmanuel” for 2 parts

I didn’t have the heart to tell this fellow that the same melody occurs at other times of the liturgical year.

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Jeff Ostrowski · October 1, 2022

“Released” • A Eucharistic Hymn You’ll Love!

Installment 4 • “How Has Nobody Done This Before?” (series)

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Jeff Ostrowski · October 13, 2021

Seven Solutions • “Getting Catholics Singing Again”

At the conservatory, we’re surrounded by hundreds of professional musicians; but stepping into a Catholic parish the situation is quite different.

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Jeff Ostrowski · June 29, 2021

“Talk Is Cheap” • Advice For Music Directors

If you fail to carefully plan your rehearsal, you’ll be eaten alive. And rightfully so!

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Jeff Ostrowski · May 29, 2021

(Holy Trinity Sunday) • An Astonishing Hymn!

Hymns by Monsignor Knox often make reference to “the friendless”—have you ever been without a friend?

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Jeff Ostrowski · May 25, 2021

“Veni Creator Spiritus” + Organ Accompaniment • with English Translation by Fr. Fortescue

Did you realize there are two versions of this famous hymn?

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Jeff Ostrowski · April 12, 2021

“Adze” • Do you know this word?

William F. Buckley speaking on television about Monsignor Ronald Knox.

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Jeff Ostrowski · December 2, 2020

Book Title • “English As She Is Spoke”

One who translates Aquinas expects to be cross-examined by those who understand philosophy and Latin; but Bible translators are liable to be cross-examined by anybody, because everybody thinks he knows what the Bible means.

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Jeff Ostrowski · September 18, 2018

Ronald Knox • His Actual Voice!

A fascinating radio address by Msgr. Knox covering topics related to the Incarnation.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”
    When it comes to the Latin language, accent marks aren’t placed on 2-syllable words, because doing so would be excessive. In other words, if a Latin word has two (2) syllables, the first syllable always gets the accent—so there’s no need to mark it. Nevertheless, as the years went on, the ABBEY OF SOLESMES began placing accents on 2-syllable words throughout their publications. Yet, they made exceptions for certain words, and nobody can explain why. For example, they never put an accent on the word simul in Latin, as far as I can tell. Download this PDF file if you wish to see with your own eyes. It seems they omit the accent mark about 20% of the time, which eliminates the possibility of oversight.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Gregorian chant is the sacred chant, proper and principal of the Roman Church. Therefore, not only can it be used in all liturgical actions, but unless there are mitigating circumstances, it is preferable to use it instead of other kinds of sacred music.”

— “De musica sacra et sacra liturgia” (3 September 1958)

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  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)

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