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“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

PDF Download • “Veni, Veni Emmanuel” for 2 parts

Jeff Ostrowski · December 18, 2022

UPPOSE YOU CAME into contact with someone who claims to be an expert in German folk songs, yet doesn’t speak a word of German. Wouldn’t you find that strange? Even more bizarre is this man’s defense: “I don’t need to know a single word of German to appreciate German folk songs.” But is such an assertion credible? Since the 1960s we have witnessed ‘progressive’ Catholics do something similar. In spite of the fact that we are LATIN RITE CATHOLICS, they will not tolerate anything in Latin. They are fine with Spanish, Greek, Vietnamese, Tagalog, and so forth. But Latin they will not brook. Indeed, Bugnini’s cadre in the 1960s attempted to eliminate from the Catholic Mass all foreign words—even Alleluia, Hosanna, and Amen—but the Congregation of Sacred Rites was able to prevent that from happening.1

“Veni, Veni Emmanuel” • We sing the famous O ANTIPHON PARAPHRASES (better known as O Come, O Come Emmanuel) in Latin, using a brilliant 2-voice arrangement from the Brébeuf Catholic Hymnal. You can download the PDF score for free—along with rehearsal videos for each individual voice—by scrolling to #2002. Below is a ‘live’ recording (from last Sunday) by the 100% volunteer choir I direct:

M To access this hymn’s media in the Brébeuf Portal, click here.

NOH Bass-Line • The arrangement has a gorgeous bass-line which descends using stepwise motion. This was a technique used constantly by the NOH composers to give harmonizations a more interesting structure:

Ronald Knox • My choir also sings the O ANTIPHON PARAPHRASES in English, using the Brébeuf Hymnal translation by Monsignor Ronald Knox:

M To access this hymn’s media in the Brébeuf Portal, click here.

“O Antiphons” • Anyone who downloaded this organ accompaniment booklet (25 pages) probably noticed the 4th Sunday of Advent does not have any Magnificat antiphon of its own. That’s because it must be taken from the “O Antiphons.” The clearest and most concise explanation of the “O Antiphons” can be found here, and don’t forget to read the footnote:

*  PDF Download • “O ANTIPHONS” • What are those?
—An excerpt from The Saint Jean de Brébeuf Hymnal.

Obsessed With Them? • I once knew someone who considered himself the authority on the Roman Rite. He was obsessed with the O ANTIPHONS to a degree that was not healthy. He would say things like: “They’re the essence of Advent … the very essence of Advent … and hearing them I know it can only be the season of Advent.” I didn’t have the heart to tell this poor man that similar melodies occur at other times of the liturgical year. For example, take a look at the MAGNIFICAT ANTIPHON for the feast of the Ascension:

1 On Good Friday, the English translation of the Roman Missal uses Greek … but not Latin. This ferocious hatred of anything spoken in Latin is something utterly wrongheaded, deleterious, and embarrassing.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: Annibale Bugnini Reform, Monsignor Ronald Knox Traditional Mass, Stepwise Motion Bass, Veni Veni Emmanuel Last Updated: December 18, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    “Glory To God” • (For Choir + Congregation)
    I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” A female choir director wrote: “I love your harmonizations, your musicality, and the wonderful interplay you have with dissonance and consonance in your music. So fun to listen to, and great for intellect, heart, and soul!” A young woman from California wrote: “Thank you for releasing your new Glory To God in honor of Saint Noel Chabanel. I'm enjoying reading through the various parts and listening to your recordings.”
    —Jeff Ostrowski
    William Byrd • “Mass for Five Voices”
    Our volunteer choir is learning the “Sanctus” from William Byrd’s Mass for Five Voices. You can hear a short excerpt (recorded last Sunday) but please ignore the sound of babies crying: Mp3 recording. We still have work to do—but we’re on the right track. Once we have some of the tuning issues fixed, I desire to use it as an example proving volunteers can sing complicated polyphony. — One of our volunteer choirs also sang that SANCTUS on 24 September 2023, and you can listen to how that came out.
    —Jeff Ostrowski
    “Baptism” • A Unique Hymn
    Father Christopher Phillips is the founding Pastor of Our Lady of the Atonement Catholic Church. One of his hymns is unique and (in my humble opinion) quite beautiful. His hymn is basically a prayer to the Holy Trinity but also speaks of Baptism and the Holy Eucharist. It would be an ideal Communion hymn on Trinity Sunday or the feast of the Baptism of the Lord. You can hear live recording from last Sunday by clicking here.
    —Jeff Ostrowski

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

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