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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Mocquereau Rhythmic Signs

Jeff Ostrowski · November 4, 2023

PDF • Draft Booklet “Couture Chant” (255 Pages)

This is very much a “work in progress”…

Dr. Charles Weaver · October 5, 2023

PDF Dissertation • “Dom Mocquereau and Music Theory” (282 Pages)

My thesis on how Dom Mocquereau relates to other theories of musical rhythm is now available for download.

Jeff Ostrowski · May 24, 2023

Analysis • “Archaic and Quack Ideas on Chant”

“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar

Jeff Ostrowski · April 27, 2023

PDF Download • “English Hymns for Three Voices” (SSA), edited by Dr. Theodore Marier—182 pages

My choir will definitely be using these settings. They’re something many have begged for!

Jeff Ostrowski · March 15, 2023

“Solesmes Ictus” • Can It Be Justified? (Examples)

“If you begin by telling a man that in a word like 𝐷𝑒𝑢𝑠 the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the only thing accomplished will be to bewilder him thoroughly.” —Father Bewerunge

Dr. Charles Weaver · January 26, 2023

What is the Tonic Accent?

We should define our terms. What makes a syllable accented, and what makes an accent a tonic accent?

Jeff Ostrowski · January 25, 2023

PDF Download • 1909 “Modern Notation” Gradual (Extremely Rare) — 712 Pages

The truth is stranger than fiction.

Jeff Ostrowski · January 14, 2023

Video • “Counting Gregorian Chant” … according to Dom Mocquereau’s Method

The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.

Jeff Ostrowski · January 5, 2023

“Solesmes Method” • Where was it developed?

Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”

Matthew Frederes · December 12, 2022

Recent Book! • “The Politics of Plainchant”

Fascinating details from never-before-seen letters recently discovered in southern France!

Jeff Ostrowski · December 11, 2022

“Introit” (3rd Sunday of Advent) • Sung According the Church’s Official Rhythm

My humble attempt at singing the Introit for the 3rd Sunday of Advent in accordance with the official rhythm.

Jeff Ostrowski · December 6, 2022

Gregorian Rhythm Wars • “Jeff’s Second Response to Patrick” (6 Dec 2022)

You look upon these thousands of manuscripts in much the same way that I view the plainsong editions of Guillaume-Gabriel Nivers.

Matthew Frederes · November 10, 2022

Gregorian Rhythm Wars • “Frederes Feedback”

Why declare that rhythmic signs are permitted if alteration of any kind is unacceptable? It doesn’t make any sense…

Jeff Ostrowski · August 29, 2022

“Did The Pope Really Say That?” • Re: Solesmes Rhythm

My response to the recent article by Professor Charles Weaver.

Dr. Charles Weaver · August 26, 2022

PDF Download • Mocquereau on Trochee Trouble

This can seem like a dry topic, but it actually often deals with practical issues faced by every choirmaster who wants to promote plainchant.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“Now we are aware of the fact that during recent years some artists, gravely offending against Christian piety, have dared to bring into churches works devoid of any religious inspiration and completely at variance with the right rules of art.”

— Ven. Pope Pius XII (25 December 1955)

Recent Posts

  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)
  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?

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