PDF Chart • “Plainsong Rhythm”
Whence this lack of curiosity?
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Whence this lack of curiosity?

This 4-page ‘insert’ contains the seasonal Marian antiphons and various settings of the “Kýrie” my parish will be learning.

This is very much a “work in progress”…

My thesis on how Dom Mocquereau relates to other theories of musical rhythm is now available for download.

“Gentlemen: Nobody is going to follow the archaic and quack ideas on Chant you are trying to propagate.” Mr. John Sandar

My choir will definitely be using these settings. They’re something many have begged for!
“If you begin by telling a man that in a word like 𝐷𝑒𝑢𝑠 the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the only thing accomplished will be to bewilder him thoroughly.” —Father Bewerunge

We should define our terms. What makes a syllable accented, and what makes an accent a tonic accent?

The truth is stranger than fiction.

The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.

Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”

Fascinating details from never-before-seen letters recently discovered in southern France!

My humble attempt at singing the Introit for the 3rd Sunday of Advent in accordance with the official rhythm.
You look upon these thousands of manuscripts in much the same way that I view the plainsong editions of Guillaume-Gabriel Nivers.

Why declare that rhythmic signs are permitted if alteration of any kind is unacceptable? It doesn’t make any sense…
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