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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Liturgy For Children

Jeff Ostrowski · November 25, 2025

Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

Growing up, I remember hearing this adage…

Mark Haas · August 1, 2025

False! • “Youthful” Music Attracts the Young

We often underestimate the spiritual hunger of our youth. But children and teenagers are drawn to beauty, truth, and transcendence.

Fr. David Friel · April 7, 2024

Summer Ward Method Courses • CUA 2024

Teaching Children the Fundamentals of Music

Fr. David Friel · March 20, 2023

Summer Ward Method Courses • CUA 2023

The Ward Method is a classical pedagogy designed for pre-K through eighth grade music classes in Catholic schools.

Fr. David Friel · May 2, 2021

Summer Course in the Ward Method

CUA is pleased to announce that this week-long intensive course will be offered in person this summer.

Follow the Discussion on Facebook

Veronica Brandt · July 4, 2020

EF Gospel Illustrations

An Illustrated Book of Gospel Meditations from 1593! Print one for this Sunday to explore and color.

Follow the Discussion on Facebook

Richard J. Clark · July 12, 2019

Our children must at the very least be exposed to the great music of the Church.

Traditional hymnody is often easier to sing: simpler melodically and rhythmically, and generally more substantive in theology.

Fr. David Friel · February 23, 2019

New Resource! • Chant Videos for Treble Voices

A new website seeks to record the full Gregorian propers each week using a treble voice.

Fr. David Friel · June 16, 2018

Sacred Music Camp in Allentown, NJ

New Opportunity for Children Grades 3–12

Fr. David Friel · June 10, 2018

Sacred Music Camp for Children in Philadelphia

The Inaugural “Cantate Domino” Festival

Fr. David Friel · December 17, 2017

Gray Book for Baptism of Children Approved

How will the “confirmatio” and “regonitio” processes unfold in light of “Magnum principium”?

Guest Author · September 17, 2014

Weak-Kneed Prayers or Religious Patrimony?

“How do we answer a question posed 30 years ago about learning prayers?” — Fr. Alan Guanella

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Franz Liszt was an eminent keyboard virtuoso but a dangerous example for the young. … As a composer he was terrible.”

— Clara Schumann

Recent Posts

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  • Fulton J. Sheen • “24-Hour Catechism”
  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”

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