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Views from the Choir Loft

Sacred Music Camp for Children in Philadelphia

Fr. David Friel · June 10, 2018

HILADELPHIA’S Cathedral Basilica of Ss. Peter & Paul has a rich musical history, which was nicely summarized in a booklet published a few years ago. This summer, however, will mark a musical first for the basilica.

The inaugural Cantate Domino Festival is a musical camp open to boys and girls, 7–15 years of age. The event will span two weekdays in July and conclude with an evening concert. Participants will receive training in singing technique and music theory, reinforced through exposure to sacred repertoire.

The Festival will be held July 23 and 24, 2018, from 9 AM to 5 PM. The concluding event will be a concert in the basilica at 7 PM on July 24, 2018.

This camp will be staffed by a group of experienced and well-trained musicians, including:

Charlene Angelini, Director of Music at the Cathedral Basilica

Danielle Molan, Archdiocesan Children’s Choir Director

Nathan Knutson, Director of Sacred Music, St. Charles Borromeo Seminary

Lisa Knutson, Administrator, Zipoli Institute for Sacred Music

Mark Loria, Principal Organist at the Cathedral Basilica

More information and the registration form for the Cantate Domino Festival are available here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Catholic Youth Choirs, Children at Mass, Liturgy For Children Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia and teaches liturgy at St. Charles Borromeo Seminary.—(Read full biography).

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    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski
    Don’t You Agree About These?
    If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don't you agree?
    —Jeff Ostrowski
    Choral Vowels? Yes? No?
    Here's a live recording of one of the choral “warm-up” exercises my choir enjoys. It was taken during our rehearsal on 27 January 2023. It’s good to make sure each chord is perfectly in tune and balanced before moving to the next one. That only happens when each singer has the correct vowel. If you like, you can freely download that vocal exercise.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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