Views from the Choir Loft

Summer Course in the Ward Method

Fr. David Friel · May 2, 2021

ASHINGTON, DC boasts a single university-level music school within its boundaries. That school—nestled in the “little Rome” neighborhood of Northeast DC and in the shadow of the Basilica of the National Shrine of the Immaculate Conception—is the Benjamin T. Rome School of Music, Drama, and Art at The Catholic University of America (CUA). Founded in 1929 by Justine Bayard Ward (1879-1975), the music school at CUA has a rich history.

The Basilica of the National Shrine of the Immaculate Conception

Each summer, the International Center for Ward Method Studies at the Rome School of Music, Drama, and Art offers week-long intensive courses in Gregorian chant and the Ward Method of music instruction. The Ward Method is a classical pedagogy designed for pre-K through eighth grade music classes in Catholic schools. The school is pleased to announce that this course will be offered in person in summer 2021.

The dates for this year’s session are Monday, June 21 through Friday, June 25. A limited number of scholarships are available.

More detailed information is available on the Ward Center’s website. Anyone with questions about this program should contact Mrs. Amy Guettler Zuberbueler, M.M.E, the director of the International Center for Ward Method Studies (click here for contact information).

The Benjamin T. Rome School of Music, Drama, and Art at CUA

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia and teaches liturgy at St. Charles Borromeo Seminary.—(Read full biography).

Introit • Candlemas (2 February)

“Candlemas” • Our choir sang on February 2nd, and here's a live recording of the beautiful INTROIT: Suscépimus Deus. We had very little time to rehearse, but I think it has some very nice moments. I promise that by the 8th Sunday after Pentecost it will be perfect! (That Introit is repeated on the 8th Sunday after Pentecost.) We still need to improve, but we're definitely on the right track!

—Jeff Ostrowski

Simplified Antiphons • “Candlemas”

Anyone who desires simplified antiphons (“psalm tone versions”) for 2 February, the Feast of the Purification—which is also known as “Candlemas” or the Feast of the Presentation—may freely download them. The texts of the antiphons are quite beautiful. From “Lumen Ad Revelatiónem Géntium” you can hear a live excerpt (Mp3). I'm not a fan of chant in octaves, but we had such limited time to rehearse, it seemed the best choice. After all, everyone should have an opportunity to learn “Lumen Ad Revelatiónem Géntium,” which summarizes Candlemas.

—Jeff Ostrowski

Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦

Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?

—Jeff Ostrowski

“We must say it plainly: the Roman rite as we knew it exists no more. It has gone. Some walls of the structure have fallen, others have been altered—we can look at it as a ruin or as the partial foundation of a new building. Think back, if you remember it, to the Latin sung High Mass with Gregorian chant. Compare it with the modern post-Vatican II Mass. It is not only the words, but also the tunes and even certain actions that are different. In fact it is a different liturgy of the Mass.”

— Fr. Joseph Gelineau (1978)