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Views from the Choir Loft

Summer Ward Method Courses • CUA 2024

Fr. David Friel · April 7, 2024

GAIN this year, the Benjamin T. Rome School of Music, Drama, and Art at The Catholic University of America (CUA) will be offering summer courses in the Ward Method of Musical Pedagogy. The Ward Method is especially designed for the musical training of Catholic elementary schoolchildren, and these summer courses are well-suited for pastors, parish organists, choir directors, music teachers, classroom teachers, and homeschooling parents.

New this year, the courses will be offered in two locations: not only Washington, DC, but also Tucson, AZ. The dates for the two summer 2024 courses are as follows:

Tucson, AZ • June 10 – 14

Washington, DC • June 24-28

Participants have the option to join either of these week-long, intensive courses for three university credits or as a non-credit workshop. Note that spaces are limited. The first course will be offered at the CUA campus in Tucson, with accommodations at the Redemptorist Renewal Center, and the second course will be offered at the CUA campus in the Brookland section of Washington, DC, with accommodations at Theological College.

More detailed information about the program, registration, and lodging is available on the Ward Center’s website. Anyone with questions about this program should contact Mrs. Amy Guettler Zuberbueler, M.M.E, Director of the International Center for Ward Method Studies (click here for contact information).

The Ward Method is a proven way to teach children the fundamentals of music, and CUA’s International Center for Ward Method Studies is the leader in the field.

Thus all will sing, not a mere talented few, for music belongs to all God’s children. (Justine B. Ward)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Children at Mass, Gregorian Chant, Justine Ward, Justine Ward Solesmes, Liturgy For Children, Ward Method Last Updated: April 7, 2024

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It would be difficult to find a failure of imagination greater than that of Carl Czerny.”

— Robert Schumann

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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