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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

French Vs German Trochee

Jeff Ostrowski · September 15, 2025

How do you pronounce this word in Latin?

Including a comparison chart (PDF) which many readers will appreciate.

Jeff Ostrowski · April 7, 2024

Jeff Writes A Song About Dr. Weaver And Himself

This article—a “mini-dissertation” on syllabic plainsong—writes songs using the names of various CCW authors.

Jeff Ostrowski · August 14, 2023

“Did One Man Single-Handedly Sabotage the Gregorian Restoration?” • (Part 1 of 2)

Including a scanned copy of a rare “Graduale” (Pustet, 1911) released a few minutes ago—for the first time in history!

Jeff Ostrowski · December 11, 2022

“Introit” (3rd Sunday of Advent) • Sung According the Church’s Official Rhythm

My humble attempt at singing the Introit for the 3rd Sunday of Advent in accordance with the official rhythm.

Jeff Ostrowski · December 7, 2022

PDF Download • “Salve Regina” [Simplex] • An Elegant English Translation (2022)

The incomparable Andrew Hinkley kindly set it to plainchant notation.

Jeff Ostrowski · November 26, 2022

“Trochee Trouble” • Say What?

We have posted many articles discussing the French Vs. German way of interpreting syllabic plainsong—which some refer to as “Trochee Trouble.” Needless to say, we encourage everyone to carefully read all those articles. But some folks still don’t understand what “Trochee Trouble” is all about. Therefore, I have created this 1-Page Sheet that explains it […]

Jeff Ostrowski · November 20, 2022

PDF Download • “How Does the Official Rhythm Actually Sound?”

Including three (3) professionally-scanned versions of the Kyriale, released here for the 1st time!

Jeff Ostrowski · October 13, 2022

PDF Download • “Salve Regina” Chant in English (Four Different Versions)

I never knew these existed until earlier today!

Dr. Charles Weaver · August 26, 2022

PDF Download • Mocquereau on Trochee Trouble

This can seem like a dry topic, but it actually often deals with practical issues faced by every choirmaster who wants to promote plainchant.

Jeff Ostrowski · August 8, 2022

PDF Download • “Salve Regina” (32 Versions)

In this article, I examine the elusive provenance of what some have called “the most popular piece of plainsong.”

Jeff Ostrowski · May 19, 2022

19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

Jeff Ostrowski · April 6, 2022

“Victimæ Paschali Laudes” • Nineteen (19) Organ Accompaniments

Including a remarkable musical setting by Father Adrian Fortescue (d. 1923).

Jeff Ostrowski · June 4, 2020

PDF Download • 17 Organ Accompaniments for the simple “Salve Regina”

Potiron, Ostrowski, Bragers, Marier, Desrocquettes, Murray, and more!

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Corpus Christi Watershed

President’s Corner

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR shamefully granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Holy Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand while it’s sung … even though everything about the SEQUENCE—including its name—means it should follow the Alleluia. Furthermore, imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Music List” • 27th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 5 October 2025, which is the 27th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the spectacular feasts website alongside the official texts in Latin. Readers will want to check out the ENTRANCE CHANT posted there, which has a haunting melody (in the DEUTERUS MODE) and extremely powerful text.
    —Jeff Ostrowski
    Kids’ Choir Sings Thomas Aquinas
    Last Sunday, a children’s choir I’m teaching sang with us for the very first time at Sunday Mass. Females from our main choir sang along with them. If you’re curious to hear how they sounded, you can listen to a ‘live’ recording. That’s an English version of TANTUM ERGO by Saint Thomas Aquinas. That haunting melody is called GAUFESTRE and was employed for this 2-Voice Arrangement of a special hymn for 9 November (“Feast of the Dedication of the Lateran Basilica in Rome”) which replaces a Sunday this year.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of September (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“The chapter orders that any cathedral singer or instrumentalist who uses a paid leave of absence to try out for a post elsewhere shall automatically forfeit his post at Seville Cathedral.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla Cathedral: Chapter Resolution (7 September 1565)

Recent Posts

  • “American Catholic Hymnal” (1991)
  • Involving Women in the Communion?
  • “Toward a More Sacred Style With Pastoral Charity” • Guest Article by Dr. Myrna Keough
  • “Music List” • 27th in Ordinary Time (Year C)
  • Kids’ Choir Sings Thomas Aquinas

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