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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • ‘Choral Extension’ for the Sanctus (especially useful in the Ordinary Form)

Jeff Ostrowski · November 24, 2025

T IS DOUBTFUL that any single man did more to defend the country of Poland from the Nazi armies than Witold Pilecki. For this reason, it’s outrageous that the Soviets who took over Poland—after treating him with inhuman cruelty—executed Pilecki as an “enemy of the state.” Their egregious hypocrisy is enough to break the brain of any sentient being. The situation calls to mind the 1970s, when many items specifically mandated by Vatican II were suddenly said to be forbidden. What makes the hypocrisy truly outrageous: those forbidding such things claimed to be doing so “in obedience to the council.” It would’ve been easier to accept if they had admitted they were explicitly contradicting Vatican II. But instead they lied egregiously, like someone setting a forest on fire “following explicit orders” from SMOKEY BEAR.

Moving Forward • Vatican II said the THESAURUS MUSICAE SACRAE must be “preserved and fostered with very great care” (SC §114). Only a dishonest person would claim that those words mean the THESAURUS must be disparaged, downplayed, or forbidden … yet this is the case in far too many churches! So how can we best move forward? Putting the question another way: how can conscientious choirmasters introduce music from the sacred treasury without being fired?

Choral Extensions • I have suggested that choral extensions are the best way to ‘subtly’ introduce Catholics to the THESAURUS. Since there was such a strong response to the SATB Christmas piece by Énemond Moreau, I’m sure readers will welcome this choral extension for the SANCTUS (which can also be used at Extraordinary Form Masses).

The choral extension comes at the end—immediately after the Gregorian Chant is sung:

Free rehearsal videos for each individual voice await you at #21488.

Sadness • Some readers won’t bother to follow the URL link, which leads to rehearsal videos for each individual voice—as well as the PDF download—and that makes me sad.

Here is one of our first attempts to sing this at Mass:

*  Mp3 Download • Live Rec.
—Live recording by a volunteer choir.

Source and Summit • Vatican II referred to the sacred liturgy as the SOURCE AND SUMMIT (“fons et culmen”) of the Church. Vatican II did not say: “The liturgy must be modified in a fundamental way and then will be the source and summit.” Vatican II did not say: “The sacred liturgy is currently defective, but once it’s modified beyond recognition it will become the source and summit.” Vatican II did not say: “Following sweeping and radical changes, the liturgy (which is currently deficient) will then at last be the source and summit.”

The Word ‘Whether’ • Nonetheless, Vatican II did call for certain revisions. For instance, they said a ‘wider place’ (amplior locus) could be given to the vernacular. Specifically, they declared: “the limits of its employment may be extended.” However, Vatican II made clear that bishops desiring to keep the entire Mass in Latin were free to do so. Specifically, Vatican II said local bishops must decide “whether and to what extent the vernacular language is to be used.” (In the 1970s, certain dishonest people pretended not to the definition of the word whether.)

Reform of the Reform • One of the main reformers,1 having observed the results of their liturgical reform, declared that “a revision will inevitably be called for.” Inadvertently, he was referring to what today is known as the “REFORM OF THE REFORM.” In other words, because the reformers went far beyond what Vatican II called for—especially regarding the REQUIEM MASS—many items will have to be fixed at some point in the future. When it comes to the question of whether the REFORM OF THE REFORM is theoretically possible, the USCCB has already made clear it is.

1 Professor Louis Bouyer, a close friend of Pope Saint Paul VI, was one of the most prominent liturgical reformers. However, when he saw the results of their work, he was horrified. For example, vis-à-vis the revised kalendar, he called it: “the handiwork of a trio of maniacs who suppressed, with no good reason, Septuagesima and the Pentecost Octave, and who scattered three quarters of the saints higgledy-piggledy, all based on notions of their own! Because these three hotheads obstinately refused to change anything to their work—and because the Pope wanted to finish up quickly to avoid letting the chaos get out of hand—their project, however insane, was accepted!” Father Bouyer referred to the reform as “the pathetic creature we produced,” and admitted it was only natural that it would “provoke laughter or indignation” because their task had been “without hope” because only a fool could reasonably expect to “recast from top to bottom—and in a few months!—an entire liturgy that took twenty centuries to develop.” Father Bouyer wrote in his memoirs: “The worst of it was an impossible OFFERTORY, in a Catholic Action, sentimental/workerist style, the handiwork of Fr Cellier, who with tailor-made arguments manipulated the despicable Bugnini in such a way that his production went through despite nearly unanimous opposition.” As mentioned above, Father Bouyer admitted in his memoirs that “a revision will inevitably be called for.”

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: amplior locus for the vernacular, Annibale Bugnini Reform, Archbishop Hannibal Bugnini, Choral Extensions, La Riforma Liturgica Bugnini, Louis Bouyer Oratorian Priest, Reform of the Reform, Source And Summit, Thesaurus musicae sacrae Last Updated: December 10, 2025

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“H. E. Cardinal Newman has permitted the Translator the use of all his published hymns. The hymn for Prime has never been published before, except in a little book printed by the present Translator a few years ago, and for which he obtained it from the illustrious writer. H. E. has also had the goodness to prepare the doxologies, altering with the Office, belonging to his own hymns.”

— John Crichton-Stuart (27 June 1879)

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  • “Dies Irae” • A Monstrous Translation

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