• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
    • Jeff’s Mom Joins Fundraiser
    • “Let the Choir Have a Voice” (Essay)
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
    • Feasts Website
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Dom Mocquereau

Jeff Ostrowski · April 9, 2024

PDF Download • Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B)

“This argument from silence is wildly improbable.” —Father John Parsons (2001)

Dr. Charles Weaver · November 25, 2023

Accent and Gregorian Melody

The idea of the tonic accent in Gregorian melody runs through the entire Solesmes tradition from Gontier to Pothier to Mocquereau to the present.

Dr. Charles Weaver · November 9, 2023

Report • “Musical Shape of the Liturgy Conference”

This week I attended part of an excellent academic conference in honor of William Mahrt.

Dr. Charles Weaver · October 21, 2023

Two Ways of Singing the Easter Sequence

Two recordings of the same chant from the Sacred Music Symposium 2023.

Dr. Charles Weaver · October 5, 2023

PDF Dissertation • “Dom Mocquereau and Music Theory” (282 Pages)

My thesis on how Dom Mocquereau relates to other theories of musical rhythm is now available for download.

Patrick Williams · October 2, 2023

Vollaerts Revisited

“The time is ripe to reconsider the contributions of Fr. Jan Vollaerts to Gregorian musicology.” —Patrick Williams

Jeff Ostrowski · May 2, 2023

Should Chant Be Accompanied On The Organ?

As late as 1924, Dom Mocquereau mentioned Dom Desrocquettes “whose beautiful and discreet accompaniments I hear every day at Solesmes.”

Follow the Discussion on Facebook

Jeff Ostrowski · March 15, 2023

“Solesmes Ictus” • Can It Be Justified? (Examples)

“If you begin by telling a man that in a word like 𝐷𝑒𝑢𝑠 the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the only thing accomplished will be to bewilder him thoroughly.” —Father Bewerunge

Jeff Ostrowski · January 14, 2023

Video • “Counting Gregorian Chant” … according to Dom Mocquereau’s Method

The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.

Jeff Ostrowski · January 5, 2023

“Solesmes Method” • Where was it developed?

Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”

Jeff Ostrowski · December 13, 2022

Who Can Guess This Melody? • (Rorate Mass)

… from the “Roman Gradual” (1912) edited by Max Springer, a famous Gregorianist of the Beuron school.

Follow the Discussion on Facebook

Dr. Charles Weaver · November 26, 2022

Gregorian Rhythm Wars • “On the Nuance Theory of Plainchant”

A brief historical survey of free rhythm in plainchant, as practiced from the modern monastic foundation of Solesmes (1833) to the present.

Dr. Charles Weaver · August 26, 2022

PDF Download • Mocquereau on Trochee Trouble

This can seem like a dry topic, but it actually often deals with practical issues faced by every choirmaster who wants to promote plainchant.

Jeff Ostrowski · July 22, 2022

PDF Download • Professionally-Scanned “Graduale Romanum” (Schwann, 1908) • 1,129 pages!

This is the “pure” Vatican Edition—technically the only version of the rhythm allowed by Church documents!

Jeff Ostrowski · July 8, 2022

“I’ll be back next year … but with my entire choir!”

“The symposium exceeded all of my expectations.” — Pediatrician, Choirmaster, and Mother of Six Children

  • Page 1
  • Page 2
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    Stumped by “Episcopalian Hymnal” (1910)
    Some consider Songs of Syon (1910) the greatest Episcopalian hymnal ever printed. As a Roman Catholic, I have no right to weigh in one way or the other. However, this particular page has me stumped. I just know I’ve heard that tune somewhere! If you can help, please email me. I’m talking about the text which begins: “This is the day the Lord hath made; In unbeclouded light array’d.” The book is by George Ratcliffe Woodward, and its complete title is: Songs of Syon: A Collection of Psalms, Hymns, and Spiritual Songs. Back in 2016, Corpus Christi Watershed scanned and uploaded this insanely rare book. For years our website was the sole place one could download it as a PDF file.
    —Jeff Ostrowski
    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

“One can still have silence even during the Canon, since one is not obliged to recite the Canon audibly at all times. A quieter, less powerful tone of voice will always permit an opportunity for personal, silent prayer.”

— Joseph Cardinal Frings (25-jan-1968), patron of “Consociatio Internationalis Musicae Sacrae” (papal church music association)

Recent Posts

  • Ending Good Friday on “Mi” … ?
  • “Innsbruck Hymn” • Bach Saint Matthew Passion
  • Stumped by “Episcopalian Hymnal” (1910)
  • Dr. Tappan • Answers + Analysis: My “Inquiry” For Music Directors (3,087 words)
  • Eucharistic Hymns for Your Choir

Subscribe

Subscribe

* indicates required

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.