Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”
As I explained in my article posted earlier today, Nun Komm Der Heiden Heiland is actually a Catholic tune (in spite of what some have claimed). The volunteer choir I direct sang that beautiful ADVENT melody last Sunday, and I invite you to listen to the live recording. It will get better the more we […]
The Vice-President of the Church Music Association of America, Dr. Horst Buchholz (who also serves as Director of Sacred Music for the Archdiocese of Detroit) sent us an email yesterday regarding the harmonizations (PDF) I composed for the Gregorian Chant psalm tones. Dr. Buchholz says: “Those settings are absolutely exquisite, as I’m used to when […]
A young lady named Agnes wrote to us: “Dear Mr. Ostrowski, do you have the PDF score for Ave Corpus Domini set to the ADVENT melody? Last year, we sang the hymn tune “Nun Komm der Heiden Heiland” quite a bit using your contrafactum technique. My choir appreciates the Latin hymns and practice videos, especially […]
In the month of November, we remember in a special way the souls in purgatory. The BRÉBEUF HYMNAL often includes text alone versions for its hymns; why is that? The short answer is: flexibility. The “text only” version allows each choirmaster to employ a myriad of melodies. For example, I recently set the English translation […]
Are there sickening examples of hymn pairings? Oh, most certainly!
I’ve been attempting to record some Brébeuf hymns on the pipe organ, but I know very little about registration (“stops”). You can listen to this morning’s attempt, a recording of a tune called TRINITY COLLEGE. Do you know this tune? It’s quite nice. Feel free to email me vis-à-vis the registration I chose. To quickly […]
For decades, I was against choral warm-ups. I felt they should be derived from repertoire—killing two birds with one stone—but was often too lazy to prepare such items. Over the years, I have taken a 180° turn. Now I’m a huge believer in vocal “warm-ups.” Our volunteer choir has been enjoying this wonderful warm-up exercise […]
A wonderful text for the feast of Christ the King is: “Conquering Kings Their Titles Take.” We’re currently working on creating a professional recording. Until that’s complete, we’ve posted these preliminary versions. You might want to consider this hymn for the upcoming solemnity of Christ’s Kingship.
In my humble opinion, Dom Gregory Murray (d. 1992) was a splendid composer. Here’s my attempt to perform one of his INTERLUDES on the pipe organ. I’m not a “concert organist” so I deeply appreciate any feedback—especially about registration. By the way, you can download a fantastic collection of ORGAN INTERLUDES—all 104 pages completely free […]
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I would be very curious to know what readers think about this claim made by Patrick J. Buchanan. He says military service in the 1950s was obligatory in the United States. Is this true? Let me know your thoughts by scrolling to the bottom of this page, where an email address is provided. Patrick J. […]
In the Extraordinary Form (“Missale Vetustum”) because Christmas falls on a Monday in 2023, the Vigil of the Nativity of Our Lord takes precedence over the Fourth Sunday of Advent. This usually only happens about every six years or so. I will miss the 4th Sunday of Advent, but the VIGIL Mass is also quite […]
Bach’s Well-Tempered Clavier (WTC) was not officially published until 1801. By that time, many hand-copied manuscripts had circulated through Europe. According to Charles Rosen: “Beethoven, at the age of 13, played the entire WTC in public.” His feat was published in the newspapers of that time. In my view, both books of the WTC—with a […]
Corpus Christi Watershed was sent this fascinating message vis-à-vis motets of Kevin Allen being sung in a Mass with 500+ altar servers present. If anyone has more information, we would love to hear more details about this event!
If you play nothing but the notes and chord highlighted by yellow in this passage from the “Haec Dies” Gradual, it’s quite ugly and dissonant. However, in the context of the stepwise descending bass-line, the LEMMENSINSTITUUT does not disappoint!
