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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · July 11, 2023

Desperate Plea from Jeff Ostrowski

The president of Corpus Christi Watershed has made another urgent appeal. It was released on TUESDAY, 11 July 2023. Thank you for your consideration, your generosity, and your love!

Jeff Ostrowski · June 30, 2023

“Counter-Melody” for a Hymn Tune…

Jeff Ostrowski has added a “counter-melody” to CUPERTINO, a hymn tune composed by Kevin Allen. You can download the Organist Score (PDF), which doubles as the vocalist score. You can also hear Jeff’s volunteer choir sing that “counter-melody” version in real life by clicking here.

Jeff Ostrowski · June 19, 2023

Easter Sequence • “Both English and Latin”

Earlier this afternoon, I created an organ harmonization for the EASTER SUNDAY SEQUENCE: Víctimæ Pascháli Laudes in English and Latin. The rhythm conforms to the pure (“untouched”) Vatican Edition, like what you’d find in editions by Schwann, Monsignor Nekes, Max Springer of Beuron, and Peter Wagner (Commissionis Pontificiæ Gregorianæ Membrum). The beautiful and highly accurate […]

Jeff Ostrowski · June 18, 2023

Theological…

The 330-page booklet for Sacred Music Symposium contains more than just fabulous and inspiring music. Little theological ‘tidbits’ cover its pages. For example, consider Page 265. You can download a PDF copy of the entire booklet at the Symposium website.

Jeff Ostrowski · May 27, 2023

PDF • “For General Use Until Advent”

If you conduct a volunteer choir, you might consider using this Simple Piece #40273 (“Adésto Sáncta Trínitas”) which can be used during the rest of the liturgical season until Advent. It’s based on the well known hymn tune: OLD HUNDREDTH. Rehearsal videos are available at #40691. A live recording of #40273 (“Adésto Sáncta Trínitas”) by […]

Jeff Ostrowski · May 19, 2023

Introit • (This Coming Sunday)

Our volunteer choir appreciates training videos, so here’s my attempt at recording “Exáudi Dómine Vocem Meam,” which is the INTROIT for this coming Sunday. This coming Sunday is Dominica Post Ascensionem (“Sunday after the feast of the Ascension”). It is sung according to the official rhythm of the Catholic Church.

Jeff Ostrowski · May 16, 2023

Volunteer Choir Attempts “Kýrie Eléison”

My volunteer choir attempted the polyphonic KYRIE that will be sung at this year’s Sacred Music Symposium. If you’re interested, you can listen to the live recording from last Sunday. The piece is based on the ancient plainchant hymn melody: Ave Maris Stella. Polyphony like this is truly intricate and wonderful. It reminds me of […]

Jeff Ostrowski · May 16, 2023

FEEDBACK • 15 May 2023

From a reader in New Hampshire: “I just love your articles and resources! You provide an excellent resource!”

Jeff Ostrowski · May 9, 2023

Vespers Accompaniment Booklet

A VESPERS ACCOMPANIMENT BOOKLET (20 pages) for this coming Sunday—the 5th Sunday after Easter—can now be downloaded. Those who sing Vespers exactly as given in the ANTIPHONALE ROMANUM will notice that all five psalms for Eastertide are sung according to the exact same tone with the exact same differentiæ. Can someone explain why this is? […]

Jeff Ostrowski · May 7, 2023

Symposium Booklet (330 Pages)

As of 6 May 2023, anyone who wishes to may download the COMPLETED BOOKLET (330 pages) which was created for participants of Sacred Music Symposium 2023. Those who were accepted to participate in this year’s conference will be presented with their own (hard-copy) printed version of this breathtaking booklet. The faculty this year includes Professor […]

Jeff Ostrowski · May 6, 2023

6 May 2023 • FEEDBACK

Examples of comments we recently received, from all over the globe:   (1) “The Byrd composition your student sung was certainly beautiful. I cannot say how thankful I am for all that CCWATERSHED does in the world of sacred music. The videos, and recorded audios and newsletters are wonderful and beautiful. When you said that […]

Jeff Ostrowski · April 27, 2023

FEEDBACK • 26 April 2023

A reader wrote to us about the MELCOMBE HYMN ARTICLE (whose official title was: 1950s Catholicism: Do We Want It Back?) with these kind words: “I so wish there was a CD of your choir. The Introit the other day stays with me all day!”

Jeff Ostrowski · April 24, 2023

It’s Coming!

The draft booklet (320 pages) which will—in a gorgeous hard-copy—be given to participants at the Sacred Music Symposium has been released. If you see any typos, please let me know ASAP. Thank you!

Jeff Ostrowski · April 22, 2023

FEEDBACK • “Soul Was Craving”

I got this (personal) message from a choir member. I know we usually avoid sharing personal items, but hopefully this exception is warranted: “Dear Mr. Ostrowski, I read your recent article, “I Came From Somewhere.” I really enjoyed reading it. Thank you for all that you do. I appreciate your sentiments and your work to […]

Jeff Ostrowski · April 11, 2023

“Repugnant Pairing” (In My View)

We have spoken many times about the common tunes contained in the Saint Jean de Brébeuf Hymnal. I have suggested that these “shared melodies” are crucial for any director attempting to build a serious choral program in today’s environment. However, I’ve also said hymn pairings must be done with great sensitivity. Take a look at […]

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of December (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

“The renewal also showed clearly that the formulas of the Roman Missal had to be revised and enriched. This was begun by Pope Pius XII in the restoration of the Easter Vigil and the Holy Week services, which formed the first stage in accommodating the Roman Missal to contemporary mentality.”

— Pope Paul VI (1974 Sacramentary)

Recent Posts

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  • PDF Download • Agnus Dei Polyphonic “Choral Extension” (Simple Round by Ravenscroft)
  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe

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