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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

President's Corner

Jeff Ostrowski · May 13, 2024

Organ Accomp. • “Ascension Hymn at Vespers”

The soul-stirring hymn used on ASCENSION THURSDAY at Vespers—and also used on the Sunday which follows the Ascension—was called in the 7th century: “Jesu Nostra Redemptio.” After 1631AD, the title of that hymn was changed to “Salutis Humanae Sator.” The melody assigned by the Vatican Commission on Gregorian Chant is rather mournful (and very difficult […]

Jeff Ostrowski · May 10, 2024

Hymn for the Ascension

Here is a ‘live’ recording from the Mass on Ascension Thursday (2024): Hymn for the Ascension. I could not be prouder of this parish choir, which consists 100% of volunteers. To learn more about this hymn, please visit #704 in the hymn portal. I have argued that—in addition to CARMEN GREGORIANUM, organ music, and polyphony—hymns […]

Jeff Ostrowski · May 10, 2024

“Praise To The Lord” • Simple Accomp.

In case you missed the full article I posted the other day on Views from the Choir Loft, feel free to download a PDF version of my simplified organ accompaniment for the famous hymn “Praise To The Lord,” which is often paired with LOBE DEN HERREN. I’m toying with the idea of creating a whole […]

Jeff Ostrowski · May 5, 2024

MONTH OF MAY • “Reminder”

Each day, I speak via telephone to folks who have supported Corpus Christi Watershed for years. Many of them don’t know about our email newsletter! Please sign up! Simply scroll to the bottom of any blog article and enter your email address. Thank you!

Jeff Ostrowski · May 2, 2024

PDF Download • “Ad Regias” Hymn

Upon hearing this special rendition of the ancient Roman Catholic hymn for Eastertide known as “Ad Régias Agni Dapes” several readers requested the score. You may now download the PDF Score (4 pages) completely free of charge. [Rehearsal videos for each individual part are waiting for you at #33013.] For the record, prior to 1632AD […]

Jeff Ostrowski · April 29, 2024

Organ Accompaniment Booklet (20 pages)

This coming Sunday in the Extraordinary Form will be the Fifth Sunday after Easter. Each week, everyone can freely visit this page, downloading such booklets (as it were) directly from the source. Nevertheless, I’d like to draw your attention to the ORGAN ACCOMPANIMENT BOOKLET (20 pages) for Vespers in the Extraordinary Form: Dominica V Post […]

Jeff Ostrowski · April 25, 2024

Random Psalm Tone! • (1962 Weddings)

I believe it’s better to sing a Psalm Tone with excellence rather than attempt the authentic CARMEN GREGORIANUM (Gregorian Chant) in a plodding, lifeless, poorly-executed way. To that end, I have created this Fifth Mode Psalm Tone version for the COMMUNION CHANT assigned to 1962 Missal weddings. The Nuptial Mass is sometimes called “Pro Sponso […]

Jeff Ostrowski · April 18, 2024

Can Your Choir Members Do This?

How many of your choir members can do this? (a) Recite the Tantum Ergo from memory; (b) Explain where the piece comes from and when specifically—during HOLY WEEK—it’s used; (c) Provide a literal translation (from memory, without looking in a book). This nifty one-page sheet (PDF) might be worth downloading if you’re worried some of […]

Jeff Ostrowski · April 10, 2024

“Banish Wrong Notes!” • Hymns Simplified

In the past, I’ve mentioned how I can’t stand hearing wrong notes. I was playing LLANFAIR the other day, and I was hitting wrong notes. Earlier today, I created a simplified version which you can download for free. This famous tune (“LLANFAIR”) is often used on the feast of the Ascension, with “Hail the Day […]

Jeff Ostrowski · April 2, 2024

“Jesus Christ is Ris’n Today” (Simplified)

I hate hearing organists play wrong notes. I invite you to download this simplified organ accompaniment for hymn #699 in the Saint Jean de Brébeuf Hymnal. The hymn is “Jesus Christ Is Risen Today.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was […]

Jeff Ostrowski · March 31, 2024

“Strangest Of All…” • (Fortescue)

In his illustrious 1912 tome—The Mass: A Study Of The Roman Liturgy—Father Adrian Fortescue spoke of sequences, writing: “Strangest of all were the vernacular sequences in France and Germany, or those partly vernacular and partly Latin.” Our volunteer choir experimented with that on Holy Thursday, mixing Latin verses with an English refrain. For the record, […]

Jeff Ostrowski · March 25, 2024

William Byrd • “Mass for Five Voices”

Working with volunteers can be discouraging, but always remember there’s light at the end of the tunnel. Yesterday, during PALM SUNDAY MASS, our 100% volunteer choir pulled out the SANCTUS from William Byrd’s “Mass for Five Voices.”  This colossal performance was the result. (They literally didn’t know I was going to have them sing that […]

Jeff Ostrowski · March 18, 2024

“Simplified” Accomp. (1,700 downloads)

The last one I uploaded was downloaded more than 1,700 times in a matter of hours. Therefore, folks seem interested in such a project.

Corpus Christi Watershed · March 14, 2024

“Lenten Polyphony for Two Voices”

On 28 February 2024, we posted this article with two women singing at Mass. Specifically, they were singing a piece for Lent called “Open, O Hard and Sinful Heart.” Since that time, the video has garnered thousands of views on YouTube and reached more than 34,000 on Facebook. If you’d like to download a special […]

Jeff Ostrowski · March 5, 2024

Re: “Sacred Music Symposium” (2024)

Today, an announcement was sent out regarding the 2024 Sacred Music Symposium. If you’re not subscribed to our mailing list, you missed this announcement. I’ve tried everything I can think of to get folks to subscribe to our mailing list. Simply scroll to the bottom of any CCW article and enter your email address. It […]

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Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I prefer to preach,” said one priest “even without immediate preparation, for I can always draw—from the various studies stored away during the seminary years—enough material to interest our good Catholic people. But when I have to go to the altar and sing High Mass or a Requiem, and I know that I cannot read a note of the Preface and the ‘Pater Noster’, I feel like going to martyrdom. Yet the notes are right there before my eyes, but they seem to mock my ignorance.”

— From a 1920 article by Very Rev. Leo P. Manzetti

Recent Posts

  • Luis Martínez Must Go!
  • Pope Pius XII Hymnal?
  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?
  • Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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