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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download

Jeff Ostrowski · March 6, 2025

Watch David Poon Defeat Jeff in His Own “Hymn Challenge” — Re: The English Method

Bonus! Six (6) of my favorite Lenten hymns.

Jeff Ostrowski · March 5, 2025

“You who dwell in the shelter of the Lord…”

I’m not sure I know another feast like the 1st Sunday of Lent.

Jeff Ostrowski · March 4, 2025

“Entrance Chant” • 1st Sunday of Lent

This English adaptation uses mode 8, as does the authentic Gregorian Chant version.

Jeff Ostrowski · March 1, 2025

“Music List” • 8th Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

Jeff Ostrowski · February 28, 2025

Communion • 8th Sunday Ord. Time

This communion is particularly beautiful.

William J. Fritz · February 28, 2025

From Inspiration to Implementation • “Lenten Choral Extensions” (And a Free Gift!)

I decided to try something different for Lent…

Jeff Ostrowski · February 26, 2025

“Entrance Chant” • 8th Sunday (Ord. Time)

This English adaptation uses mode 1, as does the authentic Gregorian Chant version.

Jeff Ostrowski · February 20, 2025

PDF Download • “Music List” for the 7th Sunday in Ordinary Time (Year C)

“One may well wonder what the origin is of this new way of thinking and this sudden dislike for the past.” —Pope Saint Paul VI

Richard J. Clark · February 19, 2025

PDF Download • “Communion Antiphons” (Complete) for Ordinary Time — 238 pages!

Free Communion Antiphons for Ordinary Time: composed & harmonized by Richard J. Clark.

Jeff Ostrowski · February 18, 2025

PDF Download • “Chabanel Tones”

This PDF file contains the various tones—including organ accompaniment—used for the Chabanel Psalter.

Jeff Ostrowski · February 17, 2025

PDF Download • Common Texts for the Gospel Acclamation (“Alleluia”)

For many years, this situation embarrassed me.

Jeff Ostrowski · February 13, 2025

“Entrance Chant” • 7th Sunday (Ord. Time)

This English adaptation uses mode 5, as does the authentic Gregorian Chant version.

Jeff Ostrowski · February 12, 2025

“Register Today!” • Sacred Music Symposium 2025

A generous benefactor has agreed to cover 50% of the tuition for those who register before a certain date.

Corpus Christi Watershed · February 7, 2025

“Win or Lose, a Fight Worth Fighting!” • (Email Received from a Priest)

We owe a tremendous debt of gratitude to Jeffrey Tucker, who prevented a non-Christian company from securing a monopoly on the (mandatory) English psalm translation!

Jeff Ostrowski · February 7, 2025

“Music List” • 5th Sunday (Ord. Time)

Readers have expressed interest in examining the “music list” I prepared for this coming Sunday.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“To speak the language of God’s beauty, we must first begin to listen. And to listen, we must have silence in our lives. I pray that God will open our eyes and ears to beauty, and help us use it in the service of the Truth.”

— Bishop James D. Conley (10/4/2013)

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