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Corpus Christi Watershed

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Views from the Choir Loft

PDF Download

Jeff Ostrowski · January 20, 2026

PDF Download • “Tantum Ergo” for 3 Voices (Kevin Allen) Paired with a Hymn for 2 Voices

The children’s choir I direct loves singing Kevin Allen’s music … as does our adult choir!

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Jeff Ostrowski · January 19, 2026

“Holy Name Hymn” (2-Voice Arrangement)

This 2-voice arrangement is free to all.

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Jeff Ostrowski · January 19, 2026

PDF Download • Introit (3rd Sn. Ord.)

This coming Sunday—25 January 2026—is the 3rd Sunday in Ordinary Time (Year A).

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Corpus Christi Watershed · January 17, 2026

“Information Requested About Hymnals”

The following message was sent to us by a reader…

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Jeff Ostrowski · January 17, 2026

“Lamb of God” (Musical Setting)

This makes it possible to adjust based upon who’s singing (at which time of day).

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Jeff Ostrowski · January 14, 2026

PDF Download • Introit (2nd Sn. Ord.)

This mode is ‘serious’ or ‘dark’ or ‘haunting’—but gorgeous.

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Jeff Ostrowski · January 13, 2026

PDF • “Dr. Adrian Fortescue: Priest & Musician”

“No one was ever (outwardly) less priestly; no one was ever (inwardly) more thoroughly a priest.” —Edith Cowell

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Jeff Ostrowski · January 12, 2026

PDF Download • “Outrageously Rare” Feder Missal (Latin, French, & English) — 3,290 pages!

A gift to our readers, presented in super-high resolution.

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Jeff Ostrowski · January 9, 2026

Comm. Fauxbourdon • “What does it sound like?”

Remember the days you prayed for what you have now!

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Jeff Ostrowski · January 9, 2026

“Ad Te Levavi” • Variant

This particular variant hints at “tone painting.”

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Jeff Ostrowski · January 8, 2026

Spectacular Communion Setting!

Both text & melody are quite beautiful.

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Jeff Ostrowski · January 6, 2026

Hymn Translation • “Was Dr. John Mason Neale the Greatest of All Time?”

I received permission to reveal publicly this “comparison chart” of hymn translations.

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Jeff Ostrowski · January 5, 2026

PDF • “Music List” (Sunday, 11 January)

Readers have expressed interest in examining my “music list” for the feast of the Baptism of the Lord.

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Julie Huebner · January 4, 2026

“Puer Natus in Béthlehem” • (Added Fifths)

A dash of something!

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Jeff Ostrowski · January 4, 2026

Epiphany Hymn • “New 2-Voice Arrangement”

This can be sung by one woman and one man.

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

According to the Instruction “Musicam sacram” of 5 March 1967, Article 34 §1, the polyphonic “Ordinarium Missae” can in the future still be sung suetis normis, “according to the customary norms,” i.e. by the choir. In fact, this form of the high Mass is placed in high relief compared to the other forms, among which the congregationally sung Gregorian chant Mass deserves our special attention.

— Monsignor Overath (President, “Consociatio Internationalis Musicæ Sacræ” founded by Pope Saint Paul VI

Recent Posts

  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story

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