Views from the Choir Loft

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Jeff Ostrowski · January 9, 2026

Comm. Fauxbourdon • “What does it sound like?”

Remember the days you prayed for what you have now!

Jeff Ostrowski · January 9, 2026

“Ad Te Levavi” • Variant

This particular variant hints at “tone painting.”

Jeff Ostrowski · January 8, 2026

Spectacular Communion Setting!

Both text & melody are quite beautiful.

Jeff Ostrowski · January 6, 2026

Hymn Translation • “Was Dr. John Mason Neale the Greatest of All Time?”

I received permission to reveal publicly this “comparison chart” of hymn translations.

Jeff Ostrowski · January 5, 2026

PDF • “Music List” (Sunday, 11 January)

Readers have expressed interest in examining my “music list” for the feast of the Baptism of the Lord.

Julie Huebner · January 4, 2026

“Puer Natus in Béthlehem” • (Added Fifths)

A dash of something!

Jeff Ostrowski · January 4, 2026

Epiphany Hymn • “New 2-Voice Arrangement”

This can be sung by one woman and one man.

Jeff Ostrowski · January 3, 2026

Simplified Accompaniment (Epiphany Hymn)

Simplified keyboard accompaniment for “Bethlehem! Of noblest cities” (Epiphany hymn).

Jeff Ostrowski · December 30, 2025

Psalm Tone Challenge!

If you know a shorter one, please email me!

Jeff Ostrowski · December 27, 2025

“Kaitrin Drost Strikes Again!” • Plus a Few Random Thoughts and Tirades by Jeff Ostrowski

Imagine walking up into a choir loft and sounding like these young ladies without rehearsal.

Jeff Ostrowski · December 26, 2025

PDF • “O Come All Ye Faithful” (Simplified)

Please play through it and let me know what you think.

Jeff Ostrowski · December 23, 2025

💰 Are Church Musicians Paid Too Little?

I came very close to paying an unspeakably severe price.

Jeff Ostrowski · December 21, 2025

PDF Download • “In Paradisum” in English

If anyone wants to download this organ accompaniment, feel free to do so!

Jeff Ostrowski · December 18, 2025

PDF • “Music List” (Sunday, 28 December)

Readers have expressed interest in examining the “music list” I prepared for the feast of the Holy Family.

Jeff Ostrowski · December 16, 2025

Should Catholics Sing Protestant Christmas Carols?

Including the “music list” I have prepared for Christmas Midnight Mass.

Good Friday Flowers

Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.

—Jeff Ostrowski

Music List • (3rd Sunday of Lent)

Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.

—Jeff Ostrowski

PDF Download • “Ubi Caritas” (SATB)

I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.

—Jeff Ostrowski

“Dies Irae” • A Monstrous Translation

It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”

—Jeff Ostrowski

PDF Download • “Holy, Holy, Holy”

For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.

—Jeff Ostrowski

Grotesque Pairing • “Passion Chorale”

One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.

—Jeff Ostrowski