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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

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Jeff Ostrowski · April 6, 2024

PDF Download • “Spanish Responsorial Psalm” (19th Sunday in Ordinary Time, Year B)

A lovely offering by the “Chaumonot Composers Group.”

Jeff Ostrowski · April 2, 2024

“Jesus Christ is Ris’n Today” (Simplified)

I hate hearing organists play wrong notes. I invite you to download this simplified organ accompaniment for hymn #699 in the Saint Jean de Brébeuf Hymnal. The hymn is “Jesus Christ Is Risen Today.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was […]

Jeff Ostrowski · April 1, 2024

PDF Download • “Jeff’s Most Popular Choral Arrangement For Easter” (By Far)

My volunteer choir sang this arrangement during the offertory on Easter Sunday.

Jeff Ostrowski · March 27, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Dedicated to my brother, Father Mark Ostrowski.

Corpus Christi Watershed · March 24, 2024

PDF Download • “Holy Week Music Schedule” • Saint Mary’s in Norwalk, Connecticut

Expect to hear Morales, Palestrina, Victoria, Pierre de la Rue, Tallis, Haydn, Gounod, Rovetta, Lassus, Byrd, Senfl, Taverner, Wingham, and more.

Jeff Ostrowski · March 22, 2024

“Victimæ Paschali Laudes” • Thirty-One (31) Different Versions — Including Organ Accompaniments

This version by Father Adrian Fortescue is fascinating!

Jeff Ostrowski · March 18, 2024

“Simplified” Accomp. (1,700 downloads)

The last one I uploaded was downloaded more than 1,700 times in a matter of hours. Therefore, folks seem interested in such a project.

Jeff Ostrowski · March 15, 2024

Jeff Ostrowski Attempts to Sing the Easter Introit

I opted for the Church’s official rhythm.

Corpus Christi Watershed · March 14, 2024

“Lenten Polyphony for Two Voices”

On 28 February 2024, we posted this article with two women singing at Mass. Specifically, they were singing a piece for Lent called “Open, O Hard and Sinful Heart.” Since that time, the video has garnered thousands of views on YouTube and reached more than 34,000 on Facebook. If you’d like to download a special […]

Jeff Ostrowski · March 12, 2024

PDF Download • Lenten Hymn + SATB Refrain

Professor Bouyer later admitted (in his memoirs) that his team of liturgical reformers had been doomed from the start, since their goal was “recasting from top to bottom—𝘢𝘯𝘥 𝘪𝘯 𝘢 𝘧𝘦𝘸 𝘮𝘰𝘯𝘵𝘩𝘴!—an entire liturgy which had required twenty centuries to develop.”

Corpus Christi Watershed · March 4, 2024

PDF Downloads • “Contemporary Sacred Music”

Readers often send us their compositions. Today, we’d like to share some!

Jeff Ostrowski · March 2, 2024

“The Most Captivating Chorale” • (J. S. Bach)

“The mocking reed, and cruell ſpear, Their hate, his love diſplay.”

Jeff Ostrowski · March 1, 2024

“Stabat Mater” • Jeff Attempts to Sing All the Voices

A gorgeous, luscious, contemporary setting by Gustaaf Nees (d. 1965).

Jeff Ostrowski · February 28, 2024

PDF Download • “Two-Voice Polyphony For Lent”

Found in a special choral collection by Maria von Trapp.

Jeff Ostrowski · February 16, 2024

PDF Download • “For the Season of Lent” (SATB)

It even sounds great with four (4) singers: Soprano, Alto, Tenor, and Bass!

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Corpus Christi Watershed

President’s Corner

    “Music List” • 17th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 17th Sunday in Ordinary Time (27 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the the feasts website.
    —Jeff Ostrowski
    Communion • “Ask & You Shall Receive”
    All of the chants for 27 July 2025 have been added to the feasts website, as usual under a convenient “drop down” menu. The COMMUNION ANTIPHON (both text and melody) are exceedingly beautiful and ancient.
    —Jeff Ostrowski
    Jeff’s Mother Joins Our Fundraiser
    To assist our fundraiser, Mrs. Kathleen Ostrowski has drawn several beautiful sketches which she offers to all our readers free of charge. If you have a moment, I invite you download them at this link.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“It is the same Church which has introduced the vernacular into the sacred liturgy for pastoral reasons, that is, for the sake of people who do not know Latin, which gives you the mandate of preserving the age-old solemnity, beauty and dignity of the choral office, in regard both to language, and to the chant.”

— Pope Saint Paul VI (15 August 1966)

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