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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Fr. David Friel · July 5, 2015

Vesting Prayers • Part 1 of 9

Over the coming weeks, I will present a series of reflections on the vesting prayers.

Veronica Brandt · June 20, 2015

Wrapped in the Liber Usualis

A scarf adorned with pages from the Liber Usualis. Why not?

Follow the Discussion on Facebook

Jeff Ostrowski · May 1, 2015

Twelve (12) PDF Guides To Pronouncing Latin

Fr. Carlo Rossini’s is probably the best, but 11 more are also provided.

Jeff Ostrowski · April 2, 2015

An Essential & Unique Thing For Holy Thursday

…and a look at Holy Thursday from the 1965 Missal.

Fr. David Friel · February 8, 2015

Pastoral Difficulties with Recently Ordained Priests

A Response to a Post at “Pray Tell”

Jeff Ostrowski · August 12, 2014

Some Thoughts On “Englishing” Gregorian Chant

But why bring up this subject at all, when probably 95% of Catholic priests have no familiarity with Gregorian chant? • concerning the challenges of composing Gregorian chant in English+

Jeff Ostrowski · August 11, 2014

Mass Propers In English

Roosevelt was President while paralyzed. Churchill gave speeches but couldn’t pronounce “S” correctly. Surely, then, we can implement the Mass Propers with these 11 collections! • the Graduale Romanum has been set in English by many composers; here are some collections with audio samples+

Fr. David Friel · July 13, 2014

The “Children’s Liturgy of the Word”

Are We Past This Yet?

Jeff Ostrowski · June 12, 2014

Antiphons in the Gradual don’t match the Roman Missal, 3rd edition?

Why aren’t the Propers from the Roman Gradual identical to the Mass Propers printed in the Roman Missal? • “Recent research … has made it clear that the antiphons of the Order of Mass were never intended to be sung.” — Bishop Donald Trautman (2007)+

Jeff Ostrowski · February 17, 2014

PDF Download • 1974 “Graduale Romanum”

“How can we celebrate this new rite when we have not yet got a complete missal, and there are still so many uncertainties about what to do?” — Pope Paul VI (1969 General Audience)+

Fr. David Friel · January 26, 2014

Comparing Canons

Does Using Eucharistic Prayer II Really “Save Time”?

Corpus Christi Watershed · March 19, 2013

Free Download • “Liber Usualis” PDF Online (Solesmes, 1961)

Free PDF download of the complete “Liber Usualis with Introduction and Rubrics in English—with IMPRIMATUR dated 7 February 1961—edited by the Benedictine Monks of Solesmes+

Fr. David Friel · February 10, 2013

Lovely, If Unfamiliar

Duc in Altum

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

Pope Gelasius in his 9th Letter to the Bishops of Lucania condemned the evil practice which had been introduced of women serving the priest at the celebration of Mass. Since this abuse had spread to the Greeks, Innocent IV strictly forbade it in his letter to the Bishop of Tusculum: “Women should not dare to serve at the altar; they should be altogether refused this ministry.” We too have forbidden this practice in the same words in Our oft-repeated constitution “Etsi Pastoralis” (§6, #21)

— Pope Benedict XIV • Encyclical “Allatae Sunt” (26 July 1755)

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  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall

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