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There is a great need for simple polyphonic pieces arranged for 2 voice and 3 voices.
“Man cannot understand this, cannot perceive it; but a lively faith affirms that the change—which is outside the natural course of things—takes place.” (Ladua Sion, v12)
Tournemire’s L’Orgue Mystique is an indispensable resource—especially for organists who are feeling “stuck” in their improvisation.
Including an update on the Sacred Music Symposium.
Hymns by Monsignor Knox often make reference to “the friendless”—have you ever been without a friend?
We’ve decided to try an experiment, with assistance from one of my favorite composers: Giovanni Maria Nanino (d. 1607).
How exactly does the “Choral Supplement” look in real life?
Announcing an opportunity for graduate-level summer study in sacred music.
Did you realize there are two versions of this famous hymn?
Now that choirs are beginning to come back…
The Pentecost Sequence harmonized by Father Green, Father Jones, Dom Gregory Murray, Max Springer, Achille P. Bragers, and more!
Teaching sight-singing is important, but let’s not forget that it’s a means to an end.
From one of my composition teachers…
I wanted to become a Franciscan priest, and became one. But I certainly landed in places and assignments I never dreamed of being in.
What is the best way to get your choir singing when they first return? Here are some tips…
