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Views from the Choir Loft

Music Conference at the Vatican

Fr. David Friel · January 27, 2021

HE VATICAN’S Pontifical Council for Culture (PCC) has announced that it is organizing its fourth conference on sacred music. The PCC, which organized its last conference in September 2018, will host this event entirely online, due to the COVID-19 pandemic. The positive result is that attending the conference is now much easier for those who do not live in Rome.

Cardinal Ravasi

The upcoming conference is only a few days away, scheduled for 4–5 February 2021. The virtual gathering is entitled Church and Music: Texts and Contexts , and it will include themes such as hermeneutics, translation, language, and form.

The announced program includes numerous presentations from a wide range of speakers, including:

“The Reverse of a Tapestry”: Text and Translation — Gianfranco Cardinal Ravasi (President of the Pontifical Council for Culture)

Sung Word, Spoken Word: Liturgical Forms — Jordì-A. Piqué Collado, OSB (Composer, organist, and monk of Montserrat)

Non-Verbal Language in the Liturgy — Pierangelo Muroni (Liturgy Faculty, Pontificio Ateneo Sant’Anselmo)

The conference will feature a message from the Holy Father, Pope Francis, and simultaneous English-Italian and Italian-English translation.

Registration for this conference closes on 29 January 2021. Sign up here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Last Updated: January 27, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

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Quick Thoughts

23 May 2022 • FEEDBACK

From a reader: “I wasn’t looking for it. But, I stumbled across your hand-dandy arrangement of Pachelbel’s Canon. Jeff, this is the greatest thing since sliced bread! I had to play a wedding on Saturday. The bride requested the Canon. There were 11 bridesmaids! The organ loft is a football field away from the communion rail. It’s so difficult to play and keep checking the mirror. Your arrangement is absolutely genius. One can skip and choose which variations to use. The chord names are handy so that when my eyes are off the music, I always know where I am at. A thousand times thank you for sharing this arrangement!”

—Jeff Ostrowski
19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

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