Views from the Choir Loft

Music Conference at the Vatican

Fr. David Friel · January 27, 2021

HE VATICAN’S Pontifical Council for Culture (PCC) has announced that it is organizing its fourth conference on sacred music. The PCC, which organized its last conference in September 2018, will host this event entirely online, due to the COVID-19 pandemic. The positive result is that attending the conference is now much easier for those who do not live in Rome.

Cardinal Ravasi

The upcoming conference is only a few days away, scheduled for 4–5 February 2021. The virtual gathering is entitled Church and Music: Texts and Contexts , and it will include themes such as hermeneutics, translation, language, and form.

The announced program includes numerous presentations from a wide range of speakers, including:

“The Reverse of a Tapestry”: Text and Translation — Gianfranco Cardinal Ravasi (President of the Pontifical Council for Culture)

Sung Word, Spoken Word: Liturgical Forms — Jordì-A. Piqué Collado, OSB (Composer, organist, and monk of Montserrat)

Non-Verbal Language in the Liturgy — Pierangelo Muroni (Liturgy Faculty, Pontificio Ateneo Sant’Anselmo)

The conference will feature a message from the Holy Father, Pope Francis, and simultaneous English-Italian and Italian-English translation.

Registration for this conference closes on 29 January 2021. Sign up here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

How Well Does ICEL Know Latin?

This year, the Feast of Saints Peter and Paul (29 June 2025) falls on a Sunday. It’s not necessary to be an eminent Latin scholar to be horrified by examples like this, which have been in place since 1970. For the last 55 years, anyone who’s attempted to correct such errors has been threatened with legal action. It is simply unbelievable that the (mandatory) texts of the Holy Mass began being sold for a profit in the 1970s. How much longer will this gruesome situation last?

—Jeff Ostrowski

Is the USCCB trolling us?

I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.

—Jeff Ostrowski

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I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.

—Jeff Ostrowski

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A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker