Gregorian Chant • “Its True & Authentic Rhythm”
For this coming Sunday (Passion Sunday), there’s only one “MMV” singers must observe—and I placed a little arrow above it.
Articles
Cardinal Schönborn Consecrates “IKEA Altar”
When Father Fortescue was diagnosed with cancer, he was seen to kiss devoutly the Altar on which he had so frequently celebrated Mass before going to the hospital to die.
PDF Download • “Missa Philomena” (Philippe Verdelot) — Part 1 has been added.
We already released Part 2; today we release Part 1.
“Extraordinary Form” • Is This Name Still Allowed?
Fulton J. Sheen reminded us: “Many a pontiff goes through life without making a single infallible decision … not one.”
“Ah, Holy Jesus” • Lent + Passiontide Hymn
Mr. Currie complained about hymn lyrics that “unduly emphasize the human nature of the Savior.”
“Three Hymns for Lent” • (Rec. 03/10/2022)
Sometimes what goes without saying must be said.
“To Hear Before You Die” • Essential Listening Guide
You might have heard parts of the “French Suites” by Bach without even realizing it…
PDF Download • “Audi Benigne Conditor” (Organ Accompaniment)
Finding the “perfect” accompaniment for hymns can be challenging. Here’s my attempt.
“Church Music” • Opportunity of a Lifetime!
We’ve streamlined our application process; register online today!
PDF • “Hymn Suggestions For Each Sunday”
The conscientious choirmaster takes people where they are and then—carefully and prudently—leads them to something higher.
“Like None Other!” • New Three-Voice Collection
I could not function as a choirmaster without this collection.
“Communion Hymn For Lent” • (Rec. 3/4/2022)
I believe many choir members will stop coming back if the music is always the same.
IMPORTANT • Stunning News From Rome!
In this meeting—and subsequent statement—Pope Francis made it clear that institutes like the FSSP are not affected by “Traditionis Custodes.”
Does Your Musical Program Have Balance?
What I’ve labeled “musical diversity” could also be thought of as “balance.”
PDF Download • Missa Philomena (Philippe Verdelot)
This music is from a much earlier period; and you can tell.