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Views from the Choir Loft

Articles

Keven Smith · September 15, 2023

Implementing a Private Lesson Program for Your Choir

How to sell the idea to your singers, and what to teach them. (Part 2 of 2)

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Jeff Ostrowski · September 14, 2023

Natália Explains: “Why You Should Care About Shared Melodies.”

Everything’s going great, until you start playing…

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Jeff Ostrowski · September 14, 2023

Traditional Latin Mass with Vernacular (!) Ordinary at High Mass in the 1600s

I will let you in on a secret!

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Dr. Charles Weaver · September 13, 2023

A Concert in Honor of William Byrd

The better the voice is, the meeter it is to honour and serve God therewith: and the voice of man is chiefly to be employed to that end.

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Jeff Ostrowski · September 13, 2023

Eucharistic Hymn by the Archbishop of Canterbury

Using a favorite melody of Dr. Theodore Marier.

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William J. Fritz · September 13, 2023

“Ever Ancient, Ever New” • Sacred Concert in North Florida

“It is even more encouraging when a concert with 𝑡𝑟𝑢𝑙𝑦 𝑎𝑢𝑡ℎ𝑒𝑛𝑡𝑖𝑐 Catholic music is done.” —Mæstro Fritz

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Jeff Ostrowski · September 12, 2023

“Can No One Defend This?” • Why Everyone Should Sing From the Official Edition

I can never go back!

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Jeff Ostrowski · September 11, 2023

Jeff Ostrowski’s Discovery • (Does Anyone Care?)

Feel free to examine every single page if you doubt what I’m saying!

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Cynthia Ostrowski · September 11, 2023

Can a Lens Make a Difference?

My husband tells me this edition (by Dom Pothier’s student) is of monumental importance. I take him at his word.

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Dr. Lucas Tappan · September 9, 2023

Lack Choir Boys? • A Foolproof Way to Get Them!

What happened to this masculine presence in all things musical in the United States?

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Dr. Alfred Calabrese · September 7, 2023

Dr. Alfred Calabrese on William Byrd’s “Sanctus” • (Mass for Five Voices)

“The Byrd Masses were printed without title pages, and with no reference to a composer. It was too dangerous to do so.” —Dr. Calabrese

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Jeff Ostrowski · September 6, 2023

Natalia’s Message • “Explaining The Two Sections!”

If you asked random Catholics to recite in English—without reference to a book—a stanza from the “Tantum Ergo” of Saint Thomas Aquinas, how many do you think could?

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Jeff Ostrowski · September 5, 2023

Does It Make Sense to Alphabetize Hymnals?

Perhaps you’re saying to yourself: “Jeff comes across as super ungrateful.”

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Matthew Frederes · September 4, 2023

Revealed! • Father Enemond Massé Manuscripts of Sacred Gregorian Chant

Please enjoy this new addition to the website which provides a useful list of manuscripts discussed on this blog, for easy access to the same sources used by the contributors!

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Jeff Ostrowski · September 4, 2023

When Others Say You’re “Dumb”

I could give a zillion more examples of my disability.

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Corpus Christi Watershed

President’s Corner

    Rare Plainsong Accompaniments
    Our contributor, Veronica Brandt, went deep into Australia to take photographs of organ accompaniments for Gregorian Chant. Some consider these peculiar PLAINSONG ACCOMPANIMENTS—with 3-part harmonies by Barcelona Cathedral organist, Father Josep Muset i Ferrer—to be the rarest in the world. Click here to learn more. Thanks Veronica! 😊
    —Jeff Ostrowski
    “Hidden Chant” • For the Ordinary Form

    Not even the magnificent “GregoBase”—which is incredibly comprehensive—realizes music for this antiphon was published by the Vatican in the 1930s.

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    —Jeff Ostrowski
    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

“The spark of conversion can be struck by a single perfect liturgical gesture.”

— Cristina Campo (1966)

Recent Posts

  • Rare Plainsong Accompaniments
  • “Participatio Actuosa” • Re: Active Participation During The Holy Mass
  • “Receipts + Invoices” • (CCW Subscribers)
  • Indisputable ‘King’ Among Protestant Hymnals?
  • PDF Download • 23 Harmonizations for “Daily, daily, sing to Mary” (The Famous Hymn)

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