Six (6) Pernicious Hymn Pairings
The current situation is heartbreaking.
Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

As late as 1924, Dom Mocquereau mentioned Dom Desrocquettes “whose beautiful and discreet accompaniments I hear every day at Solesmes.”
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Today we release polyphony by two composers: William Byrd and William Fritz.

Are you aware of your legs? And do you know why that matters for a choir conductor?
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How dare we—who are so sinful—how dare we receive our Lord?

Sung according to the official rhythm of the Catholic Church.

My choir will definitely be using these settings. They’re something many have begged for!

“I have found, to my astonishment, that Catholics…in their principal churches, do not to this day possess even one Mass setting even tolerably good, or which is not actually distasteful and operatic.” —Felix Mendelssohn (1835)

For most Novus Ordo-going Catholics, myself included, the Octave of Pentecost is no longer officially part of the Church’s liturgical calendar, but here are five fitting ideas for extending the joy of Pentecost throughout the week.
I will never forget standing in that green room, waiting to go on stage.
“Perhaps surprisingly, not one word of three syllables in the ancient Easter sequence ‘Laudes Salvatori voce’ is sung to the rhythm of a dactyl.” —Alasdair Codona

Plainsong sung poorly—in a sluggish, lifeless manner—can leave a bad taste in people’s mouths.

“Is the symbolism of the Easter Vigil better served by brilliant light or the faint glow of candles in the darkness?” —Patrick Williams
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