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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download • Extremely Rare! Organ Accompaniment Book (165 pages)

Jeff Ostrowski · May 11, 2023

ANY SAINTS DO NOT have their own propers. Instead, one must utilize the COMMUNE SANCTORUM. Suppose someone asked you: “When it comes to the COMMUNE SANCTORUM, where can I find organ accompaniments matching the rhythm of the Liber Usualis?” You might respond: “Tons of organ accompaniments have been published by composers who follow the Liber Usualis rhythm. Henri Potiron, Dom Desrocquettes, Abbé Ferdinand Portier, Monsignor Manzetti, Feliks Raczkowski, Auguste Le Guennant, Father Carlo Rossini, Euphemia Bank, Dr. Theodore Marier, Father Andrew Green, Father Percy Jones, and Achille P. Bragers are examples of such composers. I’m sure many of them wrote accompaniments for the COMMUNE SANCTORUM.” However, this is not true!

Extremely Rare Book • As a matter of fact, only one composer has ever published a COMMUNE SANCTORUM accompaniment which matches the rhythm of the Liber Usualis. I speak of Maestro Julius Bas, who was commissioned by the Abbey of Solesmes (circa 1910) to compose harmonizations for the complete KYRIALE, GRADUALE, and ANTIPHONALE. Some say Julius Bas was a member of the famous Vatican Commission on Gregorian Chant established by Pope Pius X. Dom Pierre Combe’s book waffles back and forth regarding whether he was an official member (cf. pp. 275, 284-285).1 I personally do not believe Bas was a member, because BAS’ BIOGRAPHY would have mentioned this. Getting back to the COMMUNE SANCTORUM, we have scanned and uploaded this extremely rare book:

*  PDF Download • “COMMUNE SANCTORUM” (Julius Bas)
—Published in 1910 • 165 pages • 75.9MB • Commune sanctorum ad exemplar editionis vaticanae concinnatum cui accedunt: Missa votiva de beata, Missa de immaculata conceptione, Missa de Spiritu Sancto, Missa pro pace; Cantum Gregorianum transcripsit et modulationibus ornavit Julius Bas ad normam editionis rythmicae a solesmensibus monachis exaratae.

More on Bas • With regard to Julius Bas, many of his accompaniments can be downloaded from the LALANDE LIBRARY. You can download his 1923 Treatise on Gregorian Chant Accompaniment (which includes an interesting appendix on fugue subjects and tonal answers) in French or in German.

Fabulous Discovery! • While researching Julius Bas, I noticed he was chosen to provide the Gregorian accompaniments for a fascinating Roman Catholic hymnal published in 1915 by Father Sidney Sykes Hurlbut (1858-1920), pastor at Saint Mary’s Parish Church in Hagerstown. The book has a 1915 IMPRIMATUR from the Archbishop of Baltimore.

*  PDF Download • FATHER SIDNEY HURLBUT’S HYMNAL (1915)
—Official Title: A Treasury of Catholic Song • 312 pages.

Wonderful Content • Without question, Father Hurlbut’s tome is the most impressive of all Catholic hymnals published in America (during that time period). No other American hymnal came close to matching its quality until the 1970s, when Dr. Theodore Marier published “Hymns, Psalms, and Spiritual Canticles.” I feel comfortable making such an assertion because I’ve spent decades examining Catholic hymn books from that era. Many of the hymns contained in Father Hurlbut’s collection are also found in the Brébeuf Catholic Hymnal, such as: Splendor paternae gloriae; Aeterna coeli gloria; En clara vox redarguit; Jesu Redemptor omnium; A solis ortus cardine; Corde natus es parentis; Crudelis Herodes Deum; Audi benigne Conditor; O Sol salutis intimis; Vexilla Regis prodeunt; Ad regias Agni dapes; Aurora coelum purpurat; Anima Christi; O Esca viatorum; Qui procedis ab utroque; Ave vivens Hostia; Ave maris stella; Auctor beate saeculi; Quicumque certum quaeritis; Placare Christe servulis; Adoro te devote; and Salve caput cruentatum. Many of the excellent hymn tunes are also found in the Brébeuf—e.g. MELCOMBE, TOULON, WHITEHEAD, and ST VENANTIUS.

Surprising Content • I was amazed to see Catholic hymns included by Father Hurlbut which were not included in the Brébeuf Catholic Hymnal. Examples would be: Tandem fluctus tandem luctus; Jure plaudant omnia; Parvum quando cerno Deum; Linquunt tecta magi principis urbis; Jesu thronum majestatis; Solemne nos jejunii; Jesu nostros ob reatos; Salvete Christi vulnera; Cor meum tibi dedo; Petri laudes exsequamur; Saevo dolorum turbine; Praeclara custos virginum; Ubi thesaurus ibi cor; Supreme Rector coelitum; and Ave sacer Christi sanguis. Shown below are examples of the Gregorian accompaniments Julius Bas contributed to Father Hurlbut’s hymnal:

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1 This article includes excerpts from: HISTOIRE DE LA RESTAURATION DU CHANT GRÉGORIEN D’APRES DES DOCUMENTS INEDITES: SOLESMES ET L’EDITION VATICANE published in 1969 by Dom Pierre Combe of Solesmes Abbey. The Catholic University Press published an English edition in 2003, translated by Dr. Theodore Marier and finished by a former student of his (since Dr. Marier had died before the work could be completed). Someone close to Dr. Marier told me that Marier found the work of translation tedious, and would often exclaim: “Well, I guess I’d better go subtract a few years off my time in Purgatory by translating Combe!” The 2003 version is called: “The Restoration of Gregorian Chant: Solesmes and the Vatican Edition.” Broadly speaking, the 1969 book by Dom Combe is a collection of journal articles. Many of the Italian sections in the 2003 version were translated by Monsignor Robert Skeris.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, Featured, PDF Download Tagged With: Commune Sanctorum Organ Accompaniment, Dr Theodore Marier, Giulio Bas Gregorian Chant, Julius Bas Gregorian Last Updated: May 12, 2023

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Season’s End Repertoire
    Looking at the REPERTOIRE SHEET until the end of the choral season, I see that I’ve fallen behind schedule. (The last three months have been extraordinarily busy.) As you know, I have been providing organ harmonies for all the ENTRANCE CHANTS—as well as rehearsal videos—and you can see I’m behind where I planned to be. Now I must make up lost ground. However, the choir picks up the ENTRANCE CHANT with ease, so I’m sure it will all work out. My ‘unofficial’ harmonizations are being posted each week at the flourishing feasts website.
    —Jeff Ostrowski
    PDF Download • “Funeral Procession”
    From a mediæval Book of Hours, I was sent this glorious depiction of a Roman Catholic funeral procession by Simon Bening (d. 1561). The image resolution is extremely high. I’m not sure I know of a more beautiful illustration of a mediæval church. And I love how the servers are wearing red and pink cassocks!
    —Jeff Ostrowski
    Simplified Accomp. • Schubert’s “Ave Maria.”
    Sometimes the organist must simultaneously serve as the CANTOR. (Those who work in the field of church music know exactly what I’m talking about.) One of our contributors composed this simplified keyboard accompaniment for Franz Schubert’s “Ave Maria,” a piece which is frequently requested for Catholic funerals and weddings. In terms of the discussion about whether that piece is too theatrical (‘operatic’) for use in Church, I will leave that discussion to others. All I know is, many church musicians out there will appreciate this simplified version.
    —Jeff Ostrowski

Quick Thoughts

    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski
    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski

Random Quote

On 12 March 1908, Feast of St. Gregory the Great, the complete publication of the “Graduale” was issued by the Vatican Press. That very day, Dom Pothier solemnly presented the first copy to the Holy Father. Pius X wished to be the first to see the new book; he opened it at random, at page 128 of the supplement “pro aliquibus locis”—the Introit of the new Feast of Our lady of Lourdes. The Pope sang it with perfect taste to the last note.

— A witness of the papal audience writing circa 1915

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