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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · September 13, 2024

PDF Download • “The Saint John’s Gradual”

Free download of Saint John’s Gradual with Ecclesiastical Approbation from his Eminence Cardinal Seán O’Malley, O. F. M., Cap., Archbishop of Boston

Corpus Christi Watershed · September 12, 2024

“Desperate Financial Appeal” • (11 September 2024)

Jeff Ostrowski, current president of Corpus Christi Watershed, sent this letter on 11 September 2024.

Jeff Ostrowski · September 11, 2024

Musical Setting • “Confíteor Déo Omnipoténti”

The participants went nuts over this musical setting. They just couldn’t get enough of it!

Jeff Ostrowski · September 10, 2024

PDF Download • “Entrance Chant” for the 24th Sunday in Ordinary Time (Plainchant in English)

Today I discuss a myth about accompanying plainsong on the pipe organ.

Corpus Christi Watershed · September 10, 2024

“He Wants to Share His Subject and His Background Is Impressive.”

Feedback from the Gregorian Chant workshop in Chicago.

Corrinne May · September 9, 2024

“A Coming Together of My Two Choral Worlds…”

Readers might get some ‘programming ideas’ from the list of pieces we sang.

Jeff Ostrowski · September 6, 2024

“Spanish Entrance Hymn” • (You Might Enjoy This)

Javier R. wrote to us: “One thing that caught my eye—and which I’ve been wrestling with—is how to fit Hymns with Antiphons, especially during the entrance procession.”

Jeff Ostrowski · August 30, 2024

Repository • “Spanish Order of Music” (Sainte Marie)

I’ve been creating these for our Spanish Masses. They aren’t perfect—but I’ve also seen worse.

Jeff Ostrowski · August 30, 2024

Leaked Document! • Comparison Chart—New Responsorial Psalms (“Abbey Psalms & Canticles”)

The NAB tried to use “overly casual” language—and the results are often an abomination.

Jeff Ostrowski · August 28, 2024

PDF Download • Seasonal (“Ad Libitum”) Gospel Acclamations for Sundays and Weekdays

The various options given here by the official 1970 Missal can be used during the week (or on any Sunday).

Jeff Ostrowski · August 27, 2024

When Teaching a Polyphony for the First Time, Use This Three-Voice Piece

The Solfège has already been added, and we made magnificent rehearsal videos for you!

Corpus Christi Watershed · August 27, 2024

Corrinne May Conducts At “Totus Tuus”

“Please pray for me and the choir. May Our Lady be better known and loved.” —Corrinne May

Corpus Christi Watershed · August 24, 2024

1950s Seminary Film

Thirty-six minutes of beauty!

William J. Fritz · August 23, 2024

“Introducing Chant in Your Parish” • With Kevin Allen

“If Bach wanted to learn from the master, he had to go a long way to do it, so he made the sacrifice to do it.” —Kevin Allen

Jeff Ostrowski · August 22, 2024

The Very Least We Can Do!

Today I must ask the infamous question… (ducks)

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski
    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

A hymn verse need not be a complete sentence, but it must have completed sense as a recognisable part of the complete sentence, and at each major pause there would be at least a “sense-pause.” Saint Ambrose and the early writers and centonists always kept to this rule. This indicates one of the differences between a poem and a hymn, and by this standard most of the modern hymns and the revisions of old hymns in the Breviary stand condemned.

— Fr. Joseph Connelly

Recent Posts

  • The Weekday Communions of Lent
  • PDF Download • “Atténde Dómine”
  • “Chant Is Not a Penitential Act” • Lenten Reflection by Daniel Marshall
  • (Ash Wednesday) • Medieval Illumination Depicting the Distribution of Ashes
  • Music List • (1st Sunday of Lent)

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