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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · April 14, 2024

PDF Download • “Freiburg Cathedral Hymnal” (Organ Accompaniment) — 308 Pages!

The most comprehensive German hymnal ever printed? Well, this masterpiece by Monsignor Stemmer is certainly in the top five!

Corpus Christi Watershed · April 12, 2024

Dr. Chapp Interviews Father Uwe Michael Lang

Posted on 11 April 2024: “Sacred Liturgy in the Thought of Joseph Ratzinger”

Jeff Ostrowski · April 9, 2024

PDF Download • Responsorial Psalm for the 16th Sunday in Ordinary Time (Year B)

“This argument from silence is wildly improbable.” —Father John Parsons (2001)

Jeff Ostrowski · April 7, 2024

Jeff Writes A Song About Dr. Weaver And Himself

This article—a “mini-dissertation” on syllabic plainsong—writes songs using the names of various CCW authors.

Fr. David Friel · April 7, 2024

Summer Ward Method Courses • CUA 2024

Teaching Children the Fundamentals of Music

Jeff Ostrowski · April 7, 2024

Exiguous Performing Forces?

Even something simple can be wonderful.

Jeff Ostrowski · April 6, 2024

PDF Download • “Spanish Responsorial Psalm” (19th Sunday in Ordinary Time, Year B)

A lovely offering by the “Chaumonot Composers Group.”

Jeff Ostrowski · April 5, 2024

Confusion About This Responsorial Psalm

A serious typo in the Responsorial Psalm for the 17th Sunday in Ordinary Time, Year B.

Jeff Ostrowski · April 4, 2024

Jeff Ostrowski To Leave Los Angeles!

I believe Catholics have a right to attend Mass without being aurally assaulted.

Richard J. Clark · April 2, 2024

Aftermath: Never take Holy Week for granted.

There is “fallout” and recovery from Holy Week as a positive result. It is not merely physical but deeply emotional especially, as we struggle spiritually with whatever crosses we bear in life.

Jeff Ostrowski · April 2, 2024

“Response to Dr. Weaver” • 2 April 2024

Catholic musicians must avoid being viewed as “esoteric freaks” who can’t agree on anything and spend their entire lives fighting about things nobody cares about.

Jeff Ostrowski · April 1, 2024

PDF Download • “Jeff’s Most Popular Choral Arrangement For Easter” (By Far)

My volunteer choir sang this arrangement during the offertory on Easter Sunday.

Jeff Ostrowski · March 27, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

Dedicated to my brother, Father Mark Ostrowski.

Jeff Ostrowski · March 26, 2024

Good Friday’s Dazzling (and Ancient) Hymn

Visit a random church on Sunday morning and ask parishioners basic questions…

Jeff Ostrowski · March 25, 2024

“Stabat Mater Dolorosa” • Four (4) Choral Settings

With a digression on ‘drab’ modern architecture.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 28th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 12 October 2025, which is the 28th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the dazzling feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Vatican II did not say anything about the direction of the celebrant. […] I love both directions of celebrating Mass. Both are full of meaning for me. Both help me to encounter Christ—and that is, after all, the purpose of the liturgy.”

— Christoph Cardinal Schönborn (February 2007)

Recent Posts

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  • “Music List” • 28th in Ordinary Time (Year C)
  • Dr. Samuel Backman • “Rooted In Tradition: The Allegory of a Tree”
  • Every Diocesan Music Commission Should Do This
  • Exclusive Interview • “Púeri Cantóres” President

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