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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Time for Another RESUCITÓ, Canta Con Júbilo

Veronica Moreno · May 5, 2024

EING A MODERN Mexican Catholic, one grows up with a specific handful of songs that help form who you are when you go to Mass (like “Pescador de Hombres” and “Pan de Vida”). Being a Mexican-American Catholic in the United States, you grow up with something like two musical lungs, one in Spanish and one in English. They only “come together” for holidays. That’s how my husband and I were raised.

Then we found the Traditional Mass, so now we’ve got Latin in the mix.

Between my own family and my in-laws, about half of our combined families attend Mass in Spanish. Recently, when we all gathered for my daughter’s quinceañeara Mass,* it was the first time many of our Spanish-speaking family members had experienced a Traditional Latin Mass. It was a Low Mass, but of course, the differences between most modern Novus Ordo Spanish (and English Masses) are quite stark.

It doesn’t have to be this way. For many young people, it won’t be like this.

Mr. Ostrowski and our team have started work on a Spanish hymnal, and we’re very proud to show you some of the earliest fruits. It is an even more special treat to be able to say that the little girl whose quinceañera we celebrated this year is featured as a soprano on this recording. I’ve long helped Mr. Ostrowski in these recordings as one of his alto voices, so it is special to hear both of our voices on this new project.

But before you take a listen to the whole recording, just listen to just the refrain a few times. It says,

Resucitó, resucitó, mi Señor,
resucitó mi esperanza.

Many of my Spanish-speaking friends know the now “decades-old classic” RESUCITÓ, ALELUIA refrain. You can intone it at the Spanish Mass of any parish in the United States and the abuelitas and their grandchildren can all sing it. I hope my Spanish-speaking friends don’t consider what I propose a musical heresy, but perhaps there’s room for two “Resucitós”, I mean, listen to this beautiful refrán!

*  mp3 download • REFRAIN ONLY

How gorgeous is that repeated refrain among beautiful verses!

Brille tu lámpara, brille con fuerza tu llama
Cesen tus lágrimas al contemplar su mirada.

My translation has this as, “Let your lamp shine, let it shine brightly, your flame, / Cease your tears as you contemplate His gaze.” This is our Easter song, Jesus has risen, we can see him and we should rejoice! Our hope is risen! ¡Resucitó mi esperanza!

*  PDF Download • “Canta Con Júbilo”
—For a forthcoming Spanish Hymnal.

EQUAL VOICES : YouTube
SOPRANO : YouTube
ALTO : YouTube
TENOR : YouTube
BASS : YouTube

We’re not the only ones who love this particular hymn. You can find more all over the Spanish-speaking world:

  • in Mexico, in Spain, in Argentina

* The Quinceañera Catholic Mass is a tradition for some Spanish-speaking cultures to a) organize a Catholic Mass in thanksgiving for a young girl’s transition into adulthood and b) to host the biggest fiesta of that girl’s life. In our case, we had a tiny Mass and a tiny lunch, but a whole lot of love for that girl.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Spanish Hymnal for Catholics Last Updated: April 17, 2025

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About Veronica Moreno

Veronica Moreno is married to a teacher and homeschools five children. She has been cantor at her local Catholic parish for over a decade.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski
    Music Director Job • $80,000 per year
    Our readers will be interested in this job offering for Music Director at Saint Adalbert’s Basilica, located 40 minutes from where I live. My pastor was recently elevated to this basilica. He is offering $80,000 per year, plus benefits. I’m told Saint Adalbert’s Basilica is utterly gorgeous and contains one of America’s most magnificent pipe organs. It would be fantastic to have a colleague nearby!
    —Jeff Ostrowski
    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“I have devoted myself too much, I think, to Bach, to Mozart and to Liszt. I wish now that I could emancipate myself from them. Schumann is no use to me any more, Beethoven only with an effort and strict selection. Chopin has attracted and repelled me all my life; and I have heard his music too often—prostituted, profaned, vulgarized … I do not know what to choose for a new repertory!”

— Ferruccio Busoni (to a colleague in 1922, when he was 56 years old)

Recent Posts

  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)
  • The Tallis Scholars
  • Music Director Job • $80,000 per year
  • Pope Saint Paul VI to Consilium (14 October 1968)

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