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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Dr. Lucas Tappan · March 9, 2015

Most Pure Heart of Mary Schola Cantorum

This fall, Most Pure Heart of Mary Catholic School in Kansas will become the third Catholic Choir School in the United States.

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Jeff Ostrowski · March 9, 2015

Video • “Different Types Of Catholics”

Can you see yourself?

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Jeff Ostrowski · March 9, 2015

Cardinal Sarah’s Liturgical Bombshell

Pressure will be brought to have him walk back his statements, but I don’t believe he will.

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Jeff Ostrowski · March 8, 2015

Musical Resources • 3rd Sunday of Lent

The “Gloria in excelsis” is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

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Fr. David Friel · March 8, 2015

The Problem of Beauty

An Intriguing Argument for the Existence of God

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Veronica Brandt · March 7, 2015

A Homely Slant on Bertalot’s Sight-Singing

Is sight-singing only for elite choirs? Do you need fancy resources?

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Richard J. Clark · March 6, 2015

Pope Francis and “recovering the allure of beauty”

If the priest is “excessively” focused on the rubrics “…I do not enter into the mystery” “…if I am a showman, the protagonist” of the Mass, “then I do not enter into the mystery” either.

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Andrew Leung · March 5, 2015

Is your Congregation Ready?

One of the ways to help the congregation to enter into prayer during the Sacred Triduum is through catechesis.

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Jeff Ostrowski · March 3, 2015

PDF Download • 1895 “Liber Responsorialis” by Solesmes Abbey

This free PDF was provided courtesy of the St. Jean de Lalande Library of Rare Books.

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Aurelio Porfiri · March 3, 2015

Permission Needed to Replace the Propers?—(7 of 7)

We should be more and more convinced that the Propers are “healthier” than alternative songs…

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Jeff Ostrowski · March 2, 2015

Stuff Choir Directors Say

I’ve discovered how traumatizing it can be when somebody impersonates you.

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Jeff Ostrowski · March 2, 2015

A Flawed Translation Of Ritus Servandus?

Why are the words “ad orientem” never translated?

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Dr. Lucas Tappan · March 2, 2015

The Great Secret

Oh, what would it be like to give my choristers a new motet and then lift my hands and go? Oh wait, we already do that.

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Jeff Ostrowski · March 2, 2015

PDF Download: “67 Hymns” Arranged & Translated by Rev. Adrian Fortescue (1913)

I cannot help but think of this hymn collection as his greatest masterpiece.

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Cynthia Ostrowski · March 1, 2015

Permission Needed to Replace the Propers?—(6 of 7)

The wife of a Church musician weighs in…

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Corpus Christi Watershed

President’s Corner

    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“Then, when the later great Germans arrived, Haydn, Mozart, and Beethoven—all secular composers—and tried their hands at sacred music, they set Roman Catholic words to music which in form and spirit is Protestant.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)

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