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Views from the Choir Loft

Articles

Jeff Ostrowski · March 29, 2015

Musical Resources • Palm Sunday (1962)

There are two ways to distribute palm branches in the Extraordinary Form.

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Fr. David Friel · March 29, 2015

Essential Resources for Holy Week

Knowing What Is Needed

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Veronica Brandt · March 28, 2015

Scales and counterpoint

Two part choir exercises – one for every day of the year plus a few dozen to spare.

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Richard J. Clark · March 27, 2015

Five Things Directors and Choirs Must Remember This Week

You may forever change the lives of someone you do not know in ways you will never know.

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Jeff Ostrowski · March 26, 2015

Diversity Of Thought

When it comes to reforming the liturgy, they want “all voices heard.”

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Jeff Ostrowski · March 26, 2015

“O Sacred Head Surrounded”

An easier organ accompaniment, provided by Dr. Eugène Lapierre, teacher of Roger Wagner.

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Jeff Ostrowski · March 25, 2015

Free PDF • Polyphonic Gloria With Practice Videos

Uses Gregorian chant with polyphonic _Falsibordone_ by Caesare de Zachariis (†1594).

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Jeff Ostrowski · March 25, 2015

Video • Vocation Story Of Bishop Robert C. Morlino

“Scranton is a very Catholic town. Every guy, growing up considered the priesthood.” —Bishop Morlino

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Jeff Ostrowski · March 24, 2015

Do You Know The Hymn Of Saint Casimir?

The *original* meter & rhyme scheme were miraculously kept in English, Polish, Greek, French, Spanish, Italian, and Hungarian!

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Dr. Lucas Tappan · March 23, 2015

Regensburger Domspatzen

I would still love to see a choir of this quality in every major Catholic church in America.

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Jeff Ostrowski · March 22, 2015

Musical Resources • 5th Sunday of Lent “Passion”

The “Gloria Patri” is not said at the Introit from this day until Easter Sunday, except on Feasts.

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Fr. David Friel · March 22, 2015

Adoremus & the Way Forward

Continuing the Work of Helen Hull Hitchcock

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Andrew Leung · March 21, 2015

Video • “A House Divided”

“We must not allow ourselves to become judgmental with our brothers and sisters who don’t appreciate what we appreciate.” —Archbishop Sample

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Jeff Ostrowski · March 21, 2015

Professional Recording • “Salve Festa Dies”

Including a video demonstration: “What makes polyphony so beautiful?”

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Richard J. Clark · March 20, 2015

St. Joseph, Fatherhood, and Inclusive Language

This is a hot-button topic I should not touch with a 100-foot pole. But what is not at debate is the inclusive nature of the message of the Gospel.

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Corpus Christi Watershed

President’s Corner

    “Reminder” — Month of September (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Download • “Cordero de Dios”
    Feel free to download this setting of the “Cordero de Dios” (AGNUS DEI) in Spanish. The congregation gets an interesting melody within reach, the organist gets a straightforward accompaniment, and the person assembling the ORDER OF WORSHIP gets a ‘ready-to-paste’ plainsong version. Try this setting of the “Santo, Santo, Santo” (SANCTUS) if you desire one that’s easy to sing and includes a simple organ accompaniment. For the record, I have harmonized the Spanish “GLORIA” found in the MISAL ROMANO, Tercera Edición. Click here to download that.
    —Jeff Ostrowski
    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

Bishops have a duty towards both wise and foolish. They have to rouse the devotion of the carnal people with material ornament, since they are incapable of spiritual things.

— St. Bernard of Clairvaux (†1153)

Recent Posts

  • “Reminder” — Month of September (2026)
  • PDF Download • “When I Survey the Wondrous Cross” — Simple Organ Interludes (5 pages)
  • Eucharistic Hymn • Skeleton Harmonies (“Simplified”) for Pianists Becoming Organists!
  • PDF Download • “Antiphons Which Are Sung Whilst the Blessed Sacrament Is Exposed”
  • PDF Download • Organ Harmonization for a Splendid Version of “O Salutaris Hostia”

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