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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Cynthia Ostrowski · March 1, 2015

Permission Needed to Replace the Propers?—(6 of 7)

The wife of a Church musician weighs in…

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Fr. David Friel · March 1, 2015

Basking in Beauty’s Glow

Taking the Time to Ponder

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Veronica Brandt · February 28, 2015

Solfege? There’s an app for that.

“Excuse me, I have to go work on my green belt.”

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Jeff Ostrowski · February 27, 2015

Video • Padre Pio Celebrates Mass (5 May 1956)

You can hear Padre Pio singing the Mass.

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Richard J. Clark · February 27, 2015

Helping Your Deacon or Priest Learn the Exsultet

Singing the “Exsultet” can be intimidating! Six pages of endless notes and words? Here are some helpful tools.

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Jeff Ostrowski · February 26, 2015

Screenshots Proving “Versus Populum” Was Allowed By The 1572 Missal

A reader from Indonesia kindly sent us these…

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Jeff Ostrowski · February 26, 2015

Musical Resources • 2nd Sunday of Lent

The “Gloria in excelsis” is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

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Jeff Ostrowski · February 25, 2015

“Salve Festa Dies” • SATB Choral Piece By Canon Jules Van Nuffel (d. 1953)

Who wouldn’t welcome this fresh & contemporary piece for Easter?

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Jeff Ostrowski · February 24, 2015

PDF Download: Two (2) Rare Franciscan Chant Books

Many of these melodies cannot be easily found in any other book.

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Dr. Lucas Tappan · February 24, 2015

Permission Needed to Replace the Propers?—(4 of 7)

This year one, a seminarian from our parish is being ordained. He requested that we sing the Propers for his first Mass.

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Andrew R. Motyka · February 24, 2015

Permission Needed to Replace the Propers?—(5 of 7)

The practical end of formal approval.

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Jeff Ostrowski · February 23, 2015

Pope Francis Condemned The Reform Of The Reform? Not Quite…

“Devout people are the ones who will be most disturbed by the new liturgy.” —Pope Paul VI (11/26/1969)

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Jeff Ostrowski · February 21, 2015

Musical Resources • 1st Sunday of Lent

The “Gloria in excelsis” is not said from Septuagesima Sunday until Easter, except on Holy Thursday, Holy Saturday, & some special feasts.

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Veronica Brandt · February 21, 2015

Permission Needed to Replace the Propers?—(2 of 7)

How modernism effects music and babies. And how UNICEF is like the Catholic Church.

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Andrew Leung · February 21, 2015

Permission Needed to Replace the Propers?—(3 of 7)

When the GIRM says “four options”, they really mean four preferences…

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Corpus Christi Watershed

President’s Corner

    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski
    Absolutely ‘Perfect’ Voice-Leading?

    This brief passage seems (in my humble opinion) to be a delightful specimen.

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“Every experienced choirmaster’s work is founded on the following three axioms: (1) Few boys have a really good natural voice; (2) No boy is able to control his voice and produce good tone without training; (3) Most boys have a good ear, and considerable imitative capacity. It is on the last of these axioms that the choirmaster must begin his work.”

— Sir Richard Runciman Terry (1912)

Recent Posts

  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration
  • Garnier Alleluias • “Have They Moved?”
  • PDF Download • 1950s Hand Missal including “Priest Photographs” at Mass (944 pages)

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CONTACT • Corpus Christi Watershed

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