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Views from the Choir Loft

Articles

Dr. Lucas Tappan · April 27, 2015

St. Thomas Choir School, NYC

Perhaps if we invested in better music in our parishes the Good New would be spread more effectively.

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Fr. David Friel · April 26, 2015

A Criticism & Good News

Another Look at Fr. Weber’s “The Proper of the Mass”

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Veronica Brandt · April 25, 2015

Lest we forget

Encouraging solemnity in a public space in Australia is no mean feat, but there are well known traditions which give the framework which elevates the simple, heartfelt speeches into a moving tribute to our fallen service men and women.

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Jeff Ostrowski · April 24, 2015

Resources • 3rd Sunday after Easter (1962 Missal)

The recording of the Introit “Jubilate Deo” was created by Jeff Ostrowski—hope it helps!

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Richard J. Clark · April 24, 2015

“Choral music is not one of life’s frills.”

Would that our church and school budgets reflect this profound importance, our praise of God would be greater, our churches fuller, and our relationship with the Lord and each other deeper.

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Jeff Ostrowski · April 24, 2015

Polyphonic “Alleluia” for 3 voices • Morales (†1553)

I’ve always believed it’s a mistake to have all-women alto sections and all-men tenor sections.

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Jeff Ostrowski · April 23, 2015

Amazing Opportunity for Los Angeles Catholics

Here’s your chance to meet Fr. John Berg, FSSP Superior General, who’s coming all the way from Switzerland.

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Jeff Ostrowski · April 22, 2015

“Proper Of The Mass” (Ignatius Press) • Part 7 of 7

Let’s take a stroll down Memory Lane, shall we?

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Andrew Leung · April 21, 2015

“Proper Of The Mass” (Ignatius Press) • Part 5 of 7

Musicians are naturally attracted to beautiful things; and a beautiful chant book encourages singers to make use of the book.

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Dr. Lucas Tappan · April 21, 2015

“Proper Of The Mass” (Ignatius Press) • Part 6 of 7

If I were to use English settings of the Propers of the Mass, this would be my go-to book!

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Jeff Ostrowski · April 20, 2015

Pope Visits Prison: “You could not come to me, so I have come to you.”

1300 criminals were present for Benediction.

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Jeff Ostrowski · April 19, 2015

PDF • Organ Accompaniment to the “Vidi Aquam”

A version for the organist composed by Canon Jules Van Nuffel (1883-1953)

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Jeff Ostrowski · April 19, 2015

PDF Download • Organ Accompaniment for “Vita Sanctorum”

I’d like to produce my own version, setting all six verses to different harmonizations.

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Jeff Ostrowski · April 19, 2015

The One Thing That Unites Church Musicians

“She told the male students that careers in music are only good for mothers who desire to make some extra cash.”

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Fr. David Friel · April 19, 2015

“Proper Of The Mass” (Ignatius Press) • Part 4 of 7

The Next Big Thing Is Here

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“If I could only make the faithful sing the Kyrie, the Gloria, the Credo, the Sanctus, and the Agnus Dei…that would be to me the finest triumph sacred music could have, for it is in really taking part in the liturgy that the faithful will preserve their devotion. I would take the Tantum Ergo, the Te Deum, and the Litanies sung by the people over any piece of polyphony.”

— ‘Giuseppe Cardinal Sarto, Letter to Msgr. Callegari (1897)’

Recent Posts

  • “All Saints Hymn” • Containing a Polyphonic Section
  • A Peculiar Plainsong Practice of the Anglicans
  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower

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