• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar
  • Skip to footer

Corpus Christi Watershed

A monthly subscription fee of $4.95 gives access to the entire website. Thank you for supporting our efforts!

  • Member Log In
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Jeff’s Mom Joins Fundraiser
    • “A New Chapter” • Subscriptions!
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Repository • “Spanish Music”
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • Secrets of the Conscientious Choirmaster
    • Emporium Kevin Allen
    • Miscellaneous
      • Sainte Marie Bulletin Articles
      • “Let the Choir Have a Voice” (Essay)
      • Catechism of Gregorian Rhythm
      • Sacred Music Symposium 2023
      • The Eight Gregorian Modes
      • Gradual by Pothier’s Protégé
      • Father Enemond Massé Manuscripts
      • Seven (7) Considerations
    • René Goupil Gregorian Chant
    • Saint Jean de Lalande Library
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Lalemant Polyphonic
    • Feasts Website
  • Donate
  • Cart
Views from the Choir Loft

Articles

Veronica Brandt · March 28, 2015

Scales and counterpoint

Two part choir exercises – one for every day of the year plus a few dozen to spare.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Richard J. Clark · March 27, 2015

Five Things Directors and Choirs Must Remember This Week

You may forever change the lives of someone you do not know in ways you will never know.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · March 26, 2015

Diversity Of Thought

When it comes to reforming the liturgy, they want “all voices heard.”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · March 26, 2015

“O Sacred Head Surrounded”

An easier organ accompaniment, provided by Dr. Eugène Lapierre, teacher of Roger Wagner.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · March 25, 2015

Free PDF • Polyphonic Gloria With Practice Videos

Uses Gregorian chant with polyphonic _Falsibordone_ by Caesare de Zachariis (†1594).

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · March 25, 2015

Video • Vocation Story Of Bishop Robert C. Morlino

“Scranton is a very Catholic town. Every guy, growing up considered the priesthood.” —Bishop Morlino

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · March 24, 2015

Do You Know The Hymn Of Saint Casimir?

The *original* meter & rhyme scheme were miraculously kept in English, Polish, Greek, French, Spanish, Italian, and Hungarian!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Dr. Lucas Tappan · March 23, 2015

Regensburger Domspatzen

I would still love to see a choir of this quality in every major Catholic church in America.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · March 22, 2015

Musical Resources • 5th Sunday of Lent “Passion”

The “Gloria Patri” is not said at the Introit from this day until Easter Sunday, except on Feasts.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Fr. David Friel · March 22, 2015

Adoremus & the Way Forward

Continuing the Work of Helen Hull Hitchcock

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Andrew Leung · March 21, 2015

Video • “A House Divided”

“We must not allow ourselves to become judgmental with our brothers and sisters who don’t appreciate what we appreciate.” —Archbishop Sample

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Jeff Ostrowski · March 21, 2015

Professional Recording • “Salve Festa Dies”

Including a video demonstration: “What makes polyphony so beautiful?”

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Richard J. Clark · March 20, 2015

St. Joseph, Fatherhood, and Inclusive Language

This is a hot-button topic I should not touch with a 100-foot pole. But what is not at debate is the inclusive nature of the message of the Gospel.

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Andrew Leung · March 19, 2015

Are your Triduum booklets ready?

Don’t be the Pharisees and scribes. Help people to pray and understand the music!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

Dr. Lucas Tappan · March 19, 2015

Bertalot’s 5 Wheels (Part 2 of 2)

Steer the Car!

To access this post, you must purchase Monthly Subscription or Yearly Subscription.

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 224
  • Page 225
  • Page 226
  • Page 227
  • Page 228
  • Interim pages omitted …
  • Page 336
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address and phone number is listed at the bottom of each page.
    —Jeff Ostrowski
    Music List • “Trinity Sunday” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Trinity Sunday—a.k.a. “Dominica I post Pentecosten”—which is 31 May 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are fairly traditional, but truly excellent (the Communion hymn especially stands out). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski
    “Entrance Chant” • Feast of Corpus Christi
    While simultaneously accompanying myself on the pipe organ, I recently recorded the INTROIT (“Entrance Chant”) for the feast of Corpus Christi, Years ABC. A whole crop of musical scores—which you really should investigate—have found a home at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any renumeration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“In the Latin Church the pipe organ is to be held in high esteem, for it is the traditional musical instrument which adds a wonderful splendor to the Church’s ceremonies and powerfully lifts up man’s mind to God and to higher things.”

— Vatican II Council

Recent Posts

  • Rare! Rare! Rare! • “Australian Hymnal” (Roman Catholic) from 1942 • By Father Percy Jones
  • “Reminder” — Month of June (2026)
  • PDF Download • “Rubric Challenge”
  • “CCW Subscriptions” • (Update — 31 May 2026)
  • Re: The “True” Nature of Gregorian Chant

Subscribe

Subscribe

* indicates required

Footer

CONTACT • Corpus Christi Watershed

1 (747) 218-8005
chabanel.psalms@gmail.com
Corpus Christi Watershed
8118 Etienne Dr
Corpus Christi, TX 78414

Copyright © 2026 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 non-profit organization recognized by the state of Texas on 19 October 2006. Our statement of purpose notes that we “employ the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.”