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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

“Choral music is not one of life’s frills.”

Richard J. Clark · April 24, 2015

OMPOSER JOHN RUTTER, in this extraordinary video, speaks from the heart the importance of choral music for humanity, and hence for our souls:

“Choral music is not one of life’s frills. It’s something that goes to the very heart of our humanity, our sense of community and our souls. You express when you sing, your soul in song.”

This is also why choral singing magnifies prayer many times over. As “choral music is not one of life’s frills,” neither is prayerful and beautiful sacred music a “frill” for the mass. It is an absolute necessity. The mass is a sung prayer; we express our praise of God from the depths of our hearts through sacred melody.

Would that our church and school budgets reflect this profound importance, our praise of God would be greater, our churches fuller, and our relationship with the Lord and each other deeper. (Interestingly, it is a wise investment that more than pays itself back.)

As Rutter also states:

“…a church or a school without a choir is like a body without a soul.”

ONE SUCH ORGANIZATION that was founded in response to budget cuts in the Boston Public Schools is the Boston City Singers. While not a choir of sacred music, this organization of numerous choirs ranging in age from four to eighteen, is an enlightened example of music education given heightened priority in the community. They have filled a great void and the community has responded with expanded programming and funding for the BCS.

As many understand, the musical education of our children isn’t just about music—it’s about personal development and broadening skills and experiences for life! Likewise, sacred music heightens our greatest prayer that is the mass and prepares us for the Sacred Banquet in heaven.

So, do we view our sacred music program as a “frill” or a necessity?

This Sunday is “Good Shepherd Sunday.” Here is a live recording from mass of the Boston City Singers in my SSA setting of “The Lord Is My Shepherd” available for digital download at RJC Cecilia Music.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The sun, at one moment surrounded with scarlet flame, at another aureoled in yellow and deep purple, seemed to be in an exceedingly swift and whirling movement, at times appearing to be loosened from the sky and to be approaching the earth, strongly radiating heat.”

— ‘Dr. Domingos Pinto Coelho, noted lawyer from Lisbon and chairman of the Bar Association (1917)’

Recent Posts

  • PDF Download • “Jeff’s Mom Joins Our Fundraiser”
  • “Musicam Sacram” (5 March 1967) • Does It Apply?
  • “What Martin Luther Said…”
  • “Music List” • 15th in Ordinary Time (Year C)
  • Worship the Lord in Holy Attire

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