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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Veronica Moreno · May 12, 2025

Chants That Crowds Roar With Burning Hearts

Something special happens when your Pope intones a chant and everyone sings with full hearts. Neurons, neurotransmitters, and hormones work together to bind people together. This is why sacred music transforms hearts!

Jeff Ostrowski · May 8, 2025

Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”

Allegedly, the source of this information “had the only indult to say the TLM at the USCCB office in Baltimore back in the 1990s.”

Corpus Christi Watershed · May 7, 2025

Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?

“Isn’t Mendelssohn’s wedding march largely frowned upon in the Catholic Church?” —A reader

Veronica Moreno · May 6, 2025

We (Will) Have A Pope!

Veronica shares a children’s book about the Conclave. Let’s all chant the Veni Creator!

Jeff Ostrowski · May 5, 2025

“Basic Catechism of Gregorian Chant” • Fifteen Questions Answered

“Kids, you’re only on this floating rock for a very short time.”

Corpus Christi Watershed · April 30, 2025

Dramatic & Spectacular Testimonies from Last Year’s Sacred Music Symposium

“I had to stop singing for a moment while trying not to cry.” —2023 Participant

Jeff Ostrowski · April 27, 2025

“Simple English Propers” • Error this Sunday?

Did the good of the Church “genuinely and certainly” require this confusing change in 1970?

Jeff Ostrowski · April 26, 2025

PDF Download • “Extremely Rare” — German Organ Accompaniment for Hymnal (158 pages)

This year, we did something unusual.

Richard J. Clark · April 26, 2025

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Two Thomas Aquinas, translations in English by Alan J. Hommerding — settings by Richard J. Clark

Jeff Ostrowski · April 22, 2025

“Why Choir Directors Fail” • Six Reasons

Re: Singing in front of 580 people!

Jeff Ostrowski · April 18, 2025

(2025) • “Vexilla Regis” + “Ubi Caritas”

But they said: “Lord, behold here are two swords.” And He said to them: “It is enough.” —Luke 22:38

Jeff Ostrowski · April 17, 2025

Caught on Video! • Choir Director’s Disturbing Holy Week “Meltdown”

Since Covid-19, many Catholic churches “live-stream” their Masses … and this disturbing footage emerged.

Jeff Ostrowski · April 15, 2025

PDF Download • Exceedingly Rare! — “The Torn Tunic” (122 pages) … published in 1967

Is Tito Casini correct that vernacular plainsong is a “sin against nature?”

Jeff Ostrowski · April 14, 2025

“Our Trials” • Choirmaster Crosses

How can we experience peace of soul when most people don’t even understand the mental trauma we deal with?

Corrinne May · April 11, 2025

The Highlight Of My “Sacred Music Journey”

“I’ll be instructing participants in plainsong and Palestrina.” —Corrinne May

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
    EVIN ALLEN was commissioned by Sacred Music Symposium 2025 to compose a polyphonic ‘middle section’ for the GLORIA from Mass III, often denoted by its trope name: Missa Kyrie Deus sempiterne. This year, I’m traveling from Singapore to serve on the symposium faculty. I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong to the men. A few days ago, I was asked to record rehearsal videos for this beautiful polyphonic extension. (See below.) This polyphonic composition fits ‘inside’ GLORIA III. That is, the congregation sings for the beginning and end, but the choir alone adds polyphony to the middle. The easiest way to understand how everything fits together is by examining this congregational insert. You may download the score, generously made available to the whole world—free of charge—by CORPUS CHRISTI WATERSHED:
    *  PDF Download • Gloria III ‘Middle Section’ (Kevin Allen)
    Free rehearsal videos for each individual voice await you at #24366. Related News • My colleague, Jeff Ostrowski, composed an organ accompaniment for this same GLORIA a few months ago. Obviously, the organist should drop out when the polyphony is being sung.
    —Corrinne May
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski
    “Yahweh” in church songs?
    My pastor asked me to write a weekly column for our parish bulletin. The one scheduled to run on 22 June 2025 is called “Three Words in a Psalm” and speaks of translating the TETRAGRAMMATON. You can read the article at this column repository. All of them are quite brief because I was asked to keep within a certain word limit.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

We should note that upon being opened up, the Scriptures proved to contain such “rich fare” that parts of the banquet were removed at once from the “table of God’s word,” lest they should prove indigestible to liberal stomachs. In twenty-two places the new lectionary expunges whole verses from the text of the Gospels used at Mass in order to remove references to the Last Judgment, the condemnation of the world, and sin.

— Fr. John Parsons (2001)

Recent Posts

  • PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III
  • “Booklet of Eucharistic Hymns” (16 pages)
  • PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)
  • “Yahweh” in church songs?
  • “Music List” • Pentecost Sunday

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

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