• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
  • Donate
Views from the Choir Loft

Articles

Jeff Ostrowski · April 18, 2025

(2025) • “Vexilla Regis” + “Ubi Caritas”

But they said: “Lord, behold here are two swords.” And He said to them: “It is enough.” —Luke 22:38

Jeff Ostrowski · April 17, 2025

Caught on Video! • Choir Director’s Disturbing Holy Week “Meltdown”

Since Covid-19, many Catholic churches “live-stream” their Masses … and this disturbing footage emerged.

Jeff Ostrowski · April 15, 2025

PDF Download • Exceedingly Rare! — “The Torn Tunic” (122 pages) … published in 1967

Is Tito Casini correct that vernacular plainsong is a “sin against nature?”

Jeff Ostrowski · April 14, 2025

“Our Trials” • Choirmaster Crosses

How can we experience peace of soul when most people don’t even understand the mental trauma we deal with?

Corrinne May · April 11, 2025

The Highlight Of My “Sacred Music Journey”

“I’ll be instructing participants in plainsong and Palestrina.” —Corrinne May

Jeff Ostrowski · April 11, 2025

PDF Download • “Communion” (Holy Thursday)

Its verses are quite beautiful.

Jeff Ostrowski · April 7, 2025

Re: The “Restoration” of the Easter Vigil

It’s a strange type of “restoration” that rejoices over innovations that never existed before.

Corpus Christi Watershed · April 7, 2025

Father John Paul Lewis • “Saint Francis of Assisi Parish in Oklahoma City”

The musical director is Dr. Alvez Barkoskie IV.

Jeff Ostrowski · April 7, 2025

Yesterday’s Offertory • ‘Live’ by 2 Young Women

A large choir isn’t necessary to have dignified music at Mass.

Jeff Ostrowski · April 7, 2025

The 1970s Liturgical Wasteland

“In a sense we need ‘disposable’ music, created to last not centuries, but weeks (or hours).” —Father Hovda

Jeff Ostrowski · April 4, 2025

“Entrance Chant” • 5th Sunday of Lent

The Latin words are rendered so beautifully by Monsignor Knox.

Andrea Leal · April 2, 2025

“What is the Best Catholic Missal?” • Video Review by Catholic Family News

“I am shocked this isn’t more well known; this is really a spectacular work.” —Catholic Family News

Jeff Ostrowski · March 31, 2025

Regarding “Pay-To-Pray” + Lectionary Errors

Many decisions, even those with monumental consequences, were made in secret.

Jeff Ostrowski · March 31, 2025

Possible Error? • 4th Sunday of Lent

Because the post-conciliar liturgical reforms were done with such haste, we sometimes find errors.

Jeff Ostrowski · March 29, 2025

PDF Download • “Gloria III” Organ Accompaniment

This is surely one of music history’s great ironies!

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Interim pages omitted …
  • Page 322
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    “Music List” • 5th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.
    —Jeff Ostrowski
    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

To the extent that the new sacred music is to serve the liturgical celebrations of the various churches, it can and must draw from earlier forms — especially from Gregorian chant — a higher inspiration, a uniquely sacred quality, a genuine sense of what is religious.

— Pope John Paul II (June 1980)

Recent Posts

  • A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…
  • “For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes
  • “Lindisfarne Gospels” • Created circa 705 A.D.
  • “Music List” • 5th Sunday of Easter (Year C)
  • Communion Chant (5th Sunday of Easter)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.