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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · June 20, 2016

“Vidimus Stellam Ejus In Oriente”

Who could deny the text painting here?

Jeff Ostrowski · June 19, 2016

Musical Resources • 5th Sunday after Pentecost

“O God, Who hast prepared good things unseen for them that love Thee…”

Jeff Ostrowski · June 18, 2016

Does the Mass Demand a Certain Level of Dignity?

I started asking myself how anyone could argue against something like this. After all, isn’t it good to share joy?

Andrew Leung · June 16, 2016

A Guardian of the Sacred Tradition in the South — Part 2

Why is the Basilica community so lively and why are they growing so much?

Jeff Ostrowski · June 15, 2016

Essential Resources • Psalm Tones for Mass Propers

“The singing of the Communion Antiphon alone, which sufficed at sung Mass when Holy Communion was not given, is insufficient under the new conditions…” —Solesmes (1957)

Jeff Ostrowski · June 14, 2016

Congregational Singing in the Year 1903

“The Ordinary of the Mass and the hymn at Vespers are the parts of Divine Service in which the congregation is supposed to join.” —Solesmes (1903)

Dr. Lucas Tappan · June 14, 2016

The Theology of the Organ

Let’s put the organ back on the pedestal it rightfully deserves.

Jeff Ostrowski · June 14, 2016

New Gloria Mixing Plainsong w/ Polyphony

… composed by a Franciscan monk!

Jeff Ostrowski · June 12, 2016

Musical Resources • 4th Sunday after Pentecost

“May the mysteries we have received purify us, we beseech Thee, O Lord…”

Richard J. Clark · June 10, 2016

Two Concerts • Two Milestones • 101-rank E. & G. G. Hook & Hastings Organ, Opus 801

2016 marks two milestones: the 140th Anniversary of the Dedication of the E. & G. G. Hook & Hastings, Opus 801 and the thirtieth anniversary of Leo Abbott’s tenure as Cathedral Music Director in Boston

Andrew Leung · June 10, 2016

St. Agnes in NYC Entrusted to Opus Dei

The Church of St. Agnes in Manhattan will be placed under the care of Opus Dei.

Jeff Ostrowski · June 9, 2016

Rehearsal Videos • Masterpiece w/ Cantus Firmus

Can you tell which voice is not mine?

Andrew Leung · June 9, 2016

My Recent Discovery

I recently discovered some amazing Choral Works by Philip Stopford.

Jeff Ostrowski · June 8, 2016

Jeff Ostrowski’s Symposium Talk • Released!

Title: “Fifty Tips For Training Amateur Choirs”

Dr. Lucas Tappan · June 7, 2016

Choral Repertoire

I plan to do more of this in the future and I would recommend it to all others who direct any kind of church choir.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“It was amusing to read in our papers that German Catholics were now using the vernacular at High Mass. In some parts of Germany they have been doing just that for well-nigh four hundred years! The cathedral in Osnabruck has solemn High Mass every Sunday with the whole chapter present, and the introit Gloria, Credo, Sanctus and Agnus Dei are sung … in German. Imagine, for four hundred years almost!”

— Hans Ansgar Reinhold (Dec. 1944)

Recent Posts

  • Never Work For A Priest Or Bishop Who Believes Sacred Music Should Be “Entertainment”
  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)

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