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Views from the Choir Loft

Guest Article: “Why That Hymn Doesn’t Work”

Guest Author · September 5, 2016

Note: As a volunteer who loves liturgy but lacks formal training in music, I rely on advice from CCW contributors regarding guest articles. The following submission by Fr. Thompson was interesting because, while several contributors were critical, they unanimously said, “But please post it, because thoughtful articles like this generate beneficial discussion.” Feel free to let Fr. Thompson know your thoughts here. —J. G.


149 Hymnal OST OF US involved with parish music don’t have doctorates in musicology or in the history of liturgy. So how can we convincingly articulate our objections to particular pieces of music, whether hymns or Mass settings? I offer twelve criteria to aid in communicating precisely why you find certain music suitable or unsuitable for use at Mass. Certainly it is better to bring clear principles to the discussion rather than simply shouting, “Because I don’t like it!”

These criteria fall into two categories: Music (criteria 1-8) and Lyrics (criteria 9-12). Each criterion has two poles; the closer to Pole 1 the more suitable for congregational singing, the closer to Pole 2 the less suitable.

Criterion 1 : Range.

Pole 1 Less than an octave; Pole 2 More than an octave.

Criterion 2 : Maximum Intervals.

Pole 1 A Perfect 5th or less; Pole 2 Greater than a Perfect 5th.

Criterion 3 : Syncopation.

Pole 1 No syncopation; Pole 2 Highly syncopated.

Criterion 4 : Accidentals.

Pole 1 No accidentals; Pole 2 Chromaticisms.

Criterion 5 : Metrical Variation.

Pole 1 No variation; Pole 2 One or mere meter changes.

Criterion 6 : Proportion of Maximum to Minimum Note Length.

Pole 1 Two to one; Pole 2 Four (or more) to one.

Criterion 7 : Stylistic Genre.

Pole 1 Dedicated sacred; Pole 2 Secular/popular.

Criterion 8 : Congruent Connection with Liturgical Action.

Pole 1 Consistent compatibility; Pole 2 Disparity.

Criterion 9 : Enunciation.

Pole 1 Easy to declaim; Pole 2 difficult to declaim.

Criterion 10 : Aesthetic Beauty.

Pole 1 Poetic/evocative; Pole 2 Prosaic/trite.

Criterion 11 : Conformity to Church Teaching.

Pole 1 Unimpeachably orthodox; Pole 2 Doctrinally sketchy.

Criterion 12 : Wisdom & Theological Depth.

Pole 1 Expresses profound universal truth; Pole 2 Expresses moralistic platitudes.

We would award an excellent degree of suitability to those musical selections which have the higher number of criteria that are closer to Pole 1 than Pole 2. A preponderance of criteria closer to Pole 2 would be deemed not very suitable for use in the liturgy. For example, a highly syncopated and chromatic melody of wide range, containing 3 metrical changes, in a recognizably popular style whose lyrics are trite and cliched, would not be very suitable. Whereas a selection having an easy range of less than an octave, an uncomplicated meter whose musical style is recognizably that of sacred music, distinctly fits the liturgical action of its place in the Mass, and is poetic and theologically rich as well, would be highly suitable for use in the liturgy.

My hope is that these criteria help us all more readily articulate the relative worth of music proposed for Mass.


We hope you enjoyed this guest article by Fr. James Thompson, O.P.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“To me nothing is so consoling, so piercing, so thrilling, so overcoming, as the Mass, said as it is among us. I could attend Masses for ever, and not be tired.”

— John Henry Cardinal Newman (1848)

Recent Posts

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)

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