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Corpus Christi Watershed

“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

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Views from the Choir Loft

Musical Resources • 16th Sunday after Pentecost

Jeff Ostrowski · September 3, 2016


PROCESSIONAL   •   #888 Come Holy Ghost, Who Ever One

From the Campion Hymnal.


ASPERGES

PDF Score (Singer)   •   Practice Audio (Singer)   •   Organist

We also add a polyphonic section, which is #4550.


INTROIT   •   Sung by the men.

PDF Score (Singer)   •   Practice Audio (Singer)


KYRIE ELEISON

To rehearse the Rice Kyrie, locate #4781.


GLORIA IN EXCELSIS

We will sing #7709.


GRADUAL & ALLELUIA

We sing #3524 with the verses which you don’t need to practice.


CREDO IV   •   Alternatim

We sing this version: #3445.


OFFERTORY ANTIPHON

PDF Score (Singer)


Organist will play during the Offertory.


SANCTUS & HOSANNA

We have been singing #3496.


AGNUS DEI

Here is the musical score. To learn this piece, visit this website and locate #2978.   The words are different, but the music is the same.


COMMUNION ANTIPHON   •   Sung by the ladies.

PDF Score (Singer)   •   Practice Audio (Singer)

Accompanied from these markings, which the organist should print using a color printer.


COMMUNION

The Hymn to St. Joseph is #7593.


RECESSIONAL HYMN   •   #896 The Blessed Sacrament Of The Altar, Verses 4, 6, and 8

From the Campion Hymnal.   Click here to hear the tune, but that’s slower than we’ll take it.


PRAYER WITH THE CHOIR (taken from the CAMPION HYMNAL) :

157 Prex


Here’s the most common conclusion:

407 Christ Saves


Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

    William Byrd • Simple “Agnus Dei” Canon
    Time flies! Back in July, I posted a PDF setting of a perfect canon by William Byrd (d. 1623) arranged as an AGNUS DEI for three voices. Last Sunday, we sang that arrangement with our volunteer choir. To hear a ‘live’ recording of it, click here (Mp3). In my humble opinion, this would be a perfect piece for a choir just beginning to experiment with polyphony.
    —Jeff Ostrowski
    “Glory To God” • (For Choir + Congregation)
    I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” A female choir director wrote: “I love your harmonizations, your musicality, and the wonderful interplay you have with dissonance and consonance in your music. So fun to listen to, and great for intellect, heart, and soul!” A young woman from California wrote: “Thank you for releasing your new Glory To God in honor of Saint Noel Chabanel. I'm enjoying reading through the various parts and listening to your recordings.”
    —Jeff Ostrowski
    William Byrd • “Mass for Five Voices”
    Our volunteer choir is learning the “Sanctus” from William Byrd’s Mass for Five Voices. You can hear a short excerpt (recorded last Sunday) but please ignore the sound of babies crying: Mp3 recording. We still have work to do—but we’re on the right track. Once we have some of the tuning issues fixed, I desire to use it as an example proving volunteers can sing complicated polyphony. — One of our volunteer choirs also sang that SANCTUS on 24 September 2023, and you can listen to how that came out.
    —Jeff Ostrowski

Random Quote

“The argument moves from the existence of the thing to the correctness of the thing: what is, ought to be. Or, a popular variant: if a thing is, it doesn’t make any difference whether it ought to be—the correct response is to adjust, to learn to live with the thing.”

— ‘L. Brent Bozell, Jr.’

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