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Views from the Choir Loft

The Power of Wordless Presence

Richard J. Clark · September 2, 2016

ECENT GOSPEL passages have contained an interesting exhortation—one somewhat outwardly uncharacteristic of Jesus himself. Jesus tells a parable of the difficulty of passing through the narrow gate. When those knocking on the door, asking to be let in, not once, but twice, the master of house says, “I do not know where you are from…”

A few days later, the Gospel contains Jesus’ parable about the ten wise virgins. Again, they knock on the door asking to be let in. The bridegroom replies in nearly the same fashion, “…I do not know you…”

While each parable has a larger lesson—one of humility and the other of readiness—there is an beckoning to “know” the Lord.

Knowing another human being requires an investment of time and an investment of oneself. I suppose “knowing” God is quite similar. The masters in these stories are unlike Jesus in that we are told over and over in scripture that the Lord knows our every need and has known us before we were born. Psalm 139: “Your eyes saw me unformed; in your book all are written down; my days were shaped, before one came to be.”

This is the value of simply being in the presence of God or of one of his children. Our our pastoral roles, this is much harder work than dealing with the music alone!

Many of us are gearing up our choir programs at this time. There has likely been an enormous amount of planning that has taken place during the summer. We are getting into “recruitment mode.” There is no end to preparations and implementation.

Yet if we do not invest of ourselves time to “know” the Lord, our work may be for our own glorification rather than for God’s. (I write this as a reminder to myself.)

Each year, I am astounded to learn something new about a choir member or parishioner. These are people that I thought I knew well. It often involves a unique cross that individual is carrying. It changes my perspective, and hopefully more towards mindfulness of greater mercy. This only came about while being “present” to know the person.

Likewise, spending time with music—even over a period of years—allows that music to take hold in our hearts, and not just in our minds and voices. Such presence, such being, lends to service of others. This is the value of rehearsal.

Finally, my happiest times with my children are probably times in which I am simply present for them. I try to do this because my parents—and my father—took time to be simply present with me, especially at stages of difficulty.

No words were shared. Just presence. I remember these times, and I hope my children remember them too. Do this with others in our pastoral work, and the impact may be beyond something we will ever know.

If we know God, he knows us. Remember this, even if swamped with work and obligations. Remember the power of accompanying others in their struggles. Remember the power of wordless presence.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Richard J. Clark

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“Unfortunately, on the one hand a deadly error in judgment placed the official leadership of this committee into the hands of a man who—though generous and brave—was not very knowledgeable: Cardinal Lercaro. He was utterly incapable of resisting the maneuvers of the mealy-mouthed scoundrel that the Neapolitan Vincentian, Bugnini, a man as bereft of culture as he was of basic honesty, soon revealed himself to be.”

— ‘Fr. Louis Bouyer, an important member of the Consilium’

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