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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

The Power of Wordless Presence

Richard J. Clark · September 2, 2016

ECENT GOSPEL passages have contained an interesting exhortation—one somewhat outwardly uncharacteristic of Jesus himself. Jesus tells a parable of the difficulty of passing through the narrow gate. When those knocking on the door, asking to be let in, not once, but twice, the master of house says, “I do not know where you are from…”

A few days later, the Gospel contains Jesus’ parable about the ten wise virgins. Again, they knock on the door asking to be let in. The bridegroom replies in nearly the same fashion, “…I do not know you…”

While each parable has a larger lesson—one of humility and the other of readiness—there is an beckoning to “know” the Lord.

Knowing another human being requires an investment of time and an investment of oneself. I suppose “knowing” God is quite similar. The masters in these stories are unlike Jesus in that we are told over and over in scripture that the Lord knows our every need and has known us before we were born. Psalm 139: “Your eyes saw me unformed; in your book all are written down; my days were shaped, before one came to be.”

This is the value of simply being in the presence of God or of one of his children. Our our pastoral roles, this is much harder work than dealing with the music alone!

Many of us are gearing up our choir programs at this time. There has likely been an enormous amount of planning that has taken place during the summer. We are getting into “recruitment mode.” There is no end to preparations and implementation.

Yet if we do not invest of ourselves time to “know” the Lord, our work may be for our own glorification rather than for God’s. (I write this as a reminder to myself.)

Each year, I am astounded to learn something new about a choir member or parishioner. These are people that I thought I knew well. It often involves a unique cross that individual is carrying. It changes my perspective, and hopefully more towards mindfulness of greater mercy. This only came about while being “present” to know the person.

Likewise, spending time with music—even over a period of years—allows that music to take hold in our hearts, and not just in our minds and voices. Such presence, such being, lends to service of others. This is the value of rehearsal.

Finally, my happiest times with my children are probably times in which I am simply present for them. I try to do this because my parents—and my father—took time to be simply present with me, especially at stages of difficulty.

No words were shared. Just presence. I remember these times, and I hope my children remember them too. Do this with others in our pastoral work, and the impact may be beyond something we will ever know.

If we know God, he knows us. Remember this, even if swamped with work and obligations. Remember the power of accompanying others in their struggles. Remember the power of wordless presence.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

Many declare that Vatican Council II brought about a true springtime in the Church. Nevertheless, a growing number of Church leaders see this “springtime” as a rejection, a renunciation of her centuries-old heritage, or even as a radical questioning of her past and Tradition. Political Europe is rebuked for abandoning or denying its Christian roots; but the first to have abandoned her Christian roots and past is indisputably the post-conciliar Catholic Church.

— ‘Pope Francis’ Chief Liturgist (31 March 2017)’

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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