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Views from the Choir Loft

“Versions of the Psalter” • Jeff Interviews Top Biblical Scholar: Dr. Mark Giszczak

Jeff Ostrowski · March 23, 2026

OW MANY CATHOLICS could answer this question: “Which psalter translation is used for the LECTIONARY for the United States?” I suspect very few know the correct answer: viz. our LECTIONARY uses the 1950 translation of the complete PSALTER by Father Louis Francis Hartman (d. 1970), a polyglot who ran the department of Semitic languages at CUA. This 1950 translation was also chosen by other important books: The SAINT ANDREW BIBLE MISSAL; the English-Latin Roman Missal (1966); the 1964 Mass Propers by Father Arbogast; the 1964 O’Fallon Propers by the Sisters of the Most Precious Blood in O’Fallon, Missouri; and so forth. When I say our LECTIONARY uses the 1950 version by Father Hartman, I mean that literally. It isn’t ‘based upon’ Father Hartman; his translation was replicated verbatim. If anyone doubts what I’m saying, compare any one of the 150 Psalms from Father Hartman’s 1950 publication to the text printed in our current LECTIONARY (which can be found in your parish sacristy). The version by Father Hartman—which is accurate but colorless—was most likely chosen because it uses You and Your instead of Thee, Thy, and Thine for God.1

Dr. Mark Giszczak • Today we release an interview I did with Dr. Mark Giszczak, professor of Sacred Scripture at The Saint Paul Seminary, where Fulton J. Sheen was prepared for ordination to the priesthood. In our exchange, we tackle an array of engaging topics such as: “What makes a good translation?” Specifically, Dr. Giszczak speaks about his book, Bible Translation & the Making of the ESV Catholic Edition (ESV-CE). In 2024, the Catholic Bishops’ Conferences of England, Scotland, and Wales adopted the ESV Catholic Edition as the basis as their LECTIONARY.

Here’s the direct URL link.

Breathtaking Release • Moreover, for the first time in history, we today release something “rare as a unicorn.” It’s a 1956 book by Desclée: HOURS OF THE DAY OF THE ROMAN BREVIARY, ACCORDING TO THE RECENT DECREES. It uses the Pius XII Psalter, providing the Latin (with accent marks) and a literal English translation:

*  Pristine Copy • HOURS OF THE DAY—(1,545 pages)
—Desclée (1956) • “Pius XII Psalter” in Latin and English.

On 6 March 1948, here’s how Dr. Thomas E. Bird described the Pius XII Psalter:

“On March 24th, 1945, Pope Pius XII, by the Motu Proprio In cotidianis precibus gave permission to all who recite the divine office to use a new version of the Psalter made by six Jesuit professors of the Biblical Institute. This, contrary to some expectations, was neither a revision of the existing Vulgate nor of Saint Jerome’s Psalterium juxta Hebraeos, but a new translation altogether, based on the Massoretic text, the versions, and (in a few instances) on conjectural emendations.”

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Hymn Translations • That 1956 book provides literal English translations of many hymns. Several can be found nowhere else!

1 In the 1970s, it was fashionable to pretend that ‘lofty’ or ‘stately’ or ‘majestic’ language shouldn’t be used at Mass, claiming such language was incomprehensible. They hoped the faithful didn’t notice Thee and Thy were used in the Lord’s Prayer, yet nobody had difficult understanding.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles, PDF Download Tagged With: BEA PSALTER, Bishop Fulton J Sheen, Dr Mark Giszczak, Dr Mark Giszczak Sacred Scripture, Dr Mark Giszczak St Paul Seminary, Dr Scott Hahn, English Standard Version Catholic Edition, ESV Catholic Edition, His Holiness Pope Pius XII, Pope Pius XII Psalter Last Updated: June 5, 2026

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    PDF Download • “Cordero de Dios”
    Feel free to download this setting of the “Cordero de Dios” (AGNUS DEI) in Spanish. The congregation gets an interesting melody within reach, the organist gets a straightforward accompaniment, and the person assembling the ORDER OF WORSHIP gets a ‘ready-to-paste’ plainsong version. Try this setting of the “Santo, Santo, Santo” (SANCTUS) if you desire one that’s easy to sing and includes a simple organ accompaniment. For the record, I have harmonized the Spanish “GLORIA” found in the MISAL ROMANO, Tercera Edición. Click here to download that.
    —Jeff Ostrowski
    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

We cannot exaggerate our indebtedness to Dr. Julian’s “Dictionary of Hymnology,” a monumental work, without which we could not have reached the high standard of accuracy, as to both texts and authorship, which we set before us when entering upon our labours.

— Committee for “New English Hymnal” (1906)

Recent Posts

  • PDF Download • “Cordero de Dios”
  • PDF Download • “O God, Our Help in Ages Past” — Simple Organ Interludes (5 pages)
  • “Be Joyful Mary” • Organ Interlude
  • Active Passivity? Yes. Let me explain.
  • “A Mode of Singing & Chanting Mass for Children”

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