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Views from the Choir Loft

Three Things that Inform the Work of Every Parish: Hospitality, Catechesis, Evangelization

Richard J. Clark · September 9, 2016

OSPITAILITY and catechesis ultimately lead to evangelization. They are concepts that appear intangible. Often they are. However, they inform us of our very concrete work. They permeate most everything we do in service of God and the faithful.

The list of concrete elements that embody all three is endless. Two simple examples are the production of worship aids and the use of qualitative hymnals. A worship aid takes on much time and expense for a Parish on a limited budget. Producing worship aids can turn a part-time job into a full-time one, and they cost money to print. Hymnals are a large one-time expense. However, what is the long-term benefit? What is the spiritual gain?


HOSPITALITY
The people have in their hands everything they need to sing in one place or a reference to where to find music in hymnals. They can also include music from multiple sources, opening up a treasure of sacred music the Church has to offer. Reprint licenses are relatively inexpensive. Many resources are free. (E.g., Corpus Christi Watershed, Church Music Association of America (CMAA), Illuminare Publications). In short, this simple form of hospitality means offering our best to God while in service to the faithful.


CATECHESIS
A worship aid can contain texts and translations of antiphons, choral works, references to preludes and postludes (which are often connected to the liturgical calendar), and any music that fosters internal meditation. It can outline the liturgy so that young and old may learn the elements of the Mass. Importantly, the connections of the music we sing to the scriptures, the feast, or the season are more easily seen and ultimately taken to heart.


EVANGELIZATION
This is the outgrowth of hospitality and catechesis. Those who not only feel welcomed, but are nourished with dignified substance, will also be far more likely to return. But it is not just about putting people in the pews. It is about helping people to pray. And that is what a solid hymnal and worship aids accomplish.

The liturgy is also usually the first interaction most people have with a parish. We are ready not only to make positive first impressions, but also maintain a standard as best as possible to help parishioners, new and old, be nourished and rooted in prayer. Never forget: the Mass is the greatest form of evangelization.

HESE THREE CONCEPTS extend to many other concrete forms. Another important and often overlooked example is a well designed, easy to navigate, and informative website. This is not always easy to accomplish quickly. It may take time to develop and grow, but this is necessary for any parish today. In a parish website, the possibilities of hospitality, catechesis, and therefore evangelization, are endless.

The role of architecture in evangelization deserves volumes of commentary. From the worship space to parish space of various use, few elements are more influential in how a person feels and interacts with God and with others. Maintaining old buildings is the nightmare of every pastor—one of the most difficult aspects of being a pastor. But there are great rewards when any improvements can be made.

Outreach and social justice programs are fundamental part of hospitality and living out the Gospel. Understanding why we must do these things is an element of catechesis. The fruit is evangelization.

T IS IMPORTANT to remember that evangelization is not something we do for our personal gain or for a parish’s advancement or prestige. It is what we must do as God calls us. These three concepts are born from Lex orandi, lex credendi, lex Vivendi – the law of prayer is the law of belief, which points to the law of how Christians must live.

My words here are but a beginning of something much, much larger. I have barely scratched the surface. But you have much to offer. God is calling.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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Richard J. Clark

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Surprising Popularity!

One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

—Jeff Ostrowski
15 February 2021 • To Capitalize…?

In the Introit for the 6th Sunday after Pentecost, there is a question regarding whether to capitalize the word “christi.” The Vulgata does not, because Psalm 27 is not specifically referring to Our Lord, but rather to God’s “anointed one.” However, Missals tend to capitalize it, such as the official 1962 Missal and also a book from 1777 called Missel de Paris. Something tells me Monsignor Knox would not capitalize it.

—Jeff Ostrowski
15 February 2021 • “Sung vs. Spoken”

We have spoken quite a bit about “sung vs. spoken” antiphons. We have also noted that the texts of the Graduale Romanum sometimes don’t match the Missal texts (in the Extraordinary Form) because the Mass Propers are older than Saint Jerome’s Vulgate, and sometimes came from the ITALA versions of Sacred Scripture. On occasion, the Missal itself doesn’t match the Vulgate—cf. the Introit “Esto Mihi.” The Vulgate has: “Esto mihi in Deum protectórem et in domum refúgii…” but the Missal and Graduale Romanum use “Esto mihi in Deum protectórem et in locum refúgii…” The 1970s “spoken propers” use the traditional version, as you can see.

—Jeff Ostrowski

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

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