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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Richard J. Clark · December 5, 2016

Communion Antiphons for Christmas on “Sounds from the Spires”

“Sounds from the Spires” has been a great supporter of sacred music in the liturgy, bringing choral music, chant, and the pipe organ to a broad audience.

Jeff Ostrowski · December 5, 2016

Bishop of Manchester • Letter Re: “Ad Orientem”

A $12,000 reward will be given to anyone who can produce a Vatican II document mentioning “celebration facing the people.”

Fr. David Friel · December 4, 2016

The Renewal of Adoremus

The “Society for the Renewal of the Sacred Liturgy” is itself experiencing renewal.

Jeff Ostrowski · December 2, 2016

Does Your Choir Sing Perfectly?

Why do we avoid telling the ones we love how we feel about them?

Jeff Ostrowski · December 1, 2016

Musical Resources • 2nd Sunday of Advent (EF)

“Be appeased, we beseech Thee, O Lord, by the prayers and offerings of our lowliness…”

Dr. Alfred Calabrese · December 1, 2016

Nostalgia Is Not Rigid

I don’t think young people (or most people, frankly) are drawn to the pre-conciliar Mass because of nostalgia.

Jeff Ostrowski · November 30, 2016

“Benedictus” • Palestrina Uses The “Dragnet” Theme!

Our Church is notoriously horrible at keeping up with cultural fads—because they’re so ephemeral.

Corpus Christi Watershed · November 28, 2016

Today Only! 40% off musical scores

Why not pick up a copy of Kevin Allen’s “Matri Divinae” collection?

Jeff Ostrowski · November 28, 2016

Unbelievable Track Recorded By One Voice!

I had the pleasure of meeting Mr. Pete Avendaño at the Sacred Music Symposium, held each year in Los Angeles.

Jeff Ostrowski · November 27, 2016

Musical Resources • 1st Sunday of Advent 1

“May we receive Thy mercy, O Lord, in the midst of Thy temple…”

Fr. David Friel · November 27, 2016

Update on Sacra Liturgia Milano 2017

Preliminary Speaker List and Background Information

Jeff Ostrowski · November 26, 2016

Meatless Fridays • Were We Taught Correctly?

“Ever wonder why McDonald’s decided in 1962 to put a piece of fish into a hamburger bun?” —Bishop Earl Boyea

Andrew Leung · November 24, 2016

Free Download • Simple Choral Midnight Mass Introit

A simple setting of “Dominus Dixit ad Me” by Fr. Áureo Castro.

Corpus Christi Watershed · November 24, 2016

Thanksgiving

Pope Francis has said: “Friar Junípero was one of the founding fathers of the United States.”

Jeff Ostrowski · November 23, 2016

PDF Download • “Ordo Missæ” As We Use It

Do you provide something similar for your choirs?

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Corpus Christi Watershed

President’s Corner

    Music List • (Palm Sunday, 2026)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Palm Sunday—a.k.a. “Dominica in palmis de Passione Domini”—which is 29 March 2026. Please feel free to download it as a PDF file if such a thing interests you. The OFFERTORY (Impropérium exspectávit cor meum) is quite moving. Even though the COMMUNION ANTIPHON is relatively simple, the Fauxbourdon makes it sound outstanding.
    —Jeff Ostrowski
    Easter • Would You Sing This Hymn?
    He who examines Laudes Dei: a hymnal for Catholic congregations (St. Louis, 1894) will discover this pairing of a hymn for Easter. For the record, this isn’t the only Catholic hymn book to marry that text and melody; e.g. Saint Mark’s Hymnal for Use in the Roman Catholic Church in the United States (Peoria, 1910) does the same thing. Sometimes an unexpected pairing—chosen with sensitivity—can be superb, forcing singers to experience the text in a ‘fresh’ and wonderful way. On the other hand, we sometimes encounter something I’ve called “PERNICIOUS HYMN PAIRINGS.” If you find the subject in intriguing, feel free to peruse an article I published in May of 2023. As always, my email inbox is open if you have a bone to pick with my take.
    —Jeff Ostrowski
    Pipe Organ “Answers” in Plainsong?
    In 2003, I copied a book by Félix Bélédin (d. 1895), who was titular organist—from 1841 to 1874—at the Cathedral of Saint John the Baptist in Lyon (France). In 2008, we scanned and uploaded the book to the Lalande Online Library. Nobody knows for sure when the book was published; some believe it first appeared in the 1840s. In any event, one who examines this excerpt, showing GLORIA IX might wonder why it says the organ answers in plainsong. However, the front of the book explains, telling the organist explicitly when to “respond in plainchant.” This is something called organ alternatim. Believe it or not, the pipe organ would take turns with the choir, playing certain texts instrumentally instead of having them sung. I’m not very well-versed in this—pardon the pun—but if memory serves, ORGAN ALTERNATIM was frowned upon by the time of Pope Saint Pius X. Nevertheless, French organists kept doing it, even after it was explicitly condemned as an abuse.
    —Jeff Ostrowski

Quick Thoughts

    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

Recent Posts

  • Fulton J. Sheen • “24-Hour Catechism”
  • Music List • (Palm Sunday, 2026)
  • Easter • Would You Sing This Hymn?
  • “Priest Saying Mass” • Medieval Illumination
  • From Sentiment to Sacrament: Reclaiming Sacred Music for the Wedding Mass

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